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Richter, Gerhard

GERHARD RICHTER Victoria II, 2003

Regular price $4,500
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Published in 2003, as a gift for the employees of the Victoria-Versicherung Insurance company. This is an offset lithograph of “Victoria II” printed on heavy stock paper. Listed in catalogue raisonne Butin/Gronert P. 283. Printed by Achenbach Art Editions, Dusseldorf Germany. This piece was acquired directly from the publisher, who were allowed to sell the prints that were not gifted, without the printed signature.

In 1986, Richter won a commission from insurance company Victoria-Versicherung for two large paintings. Richter wanted to challenge himself not just in concept and design but also in execution, deciding to paint each piece on a single canvas measuring six meters high and four wide. Previously he had painted similarly sized pieces in sections and later admitted that the task was “a little megalomaniacal.” Richter named the paintings “Victoria I” and “Victoria II,” after the company, which commissioned them. These pieces continued his exploration of abstract painting, which characterized his work in the 1980s.

Details

Sku: YY7167

Artist: Gerhard Richter

Title: Victoria II

Year: 2003

Signed: No

Medium: Offset Lithograph

Edition Size: 500

Framed: No

Frame Suggestion: Inquire with our experts for framing suggestions.

Condition: A: Mint

Dimensions

Paper Size: 31.5 x 23.5 inches ( 80 x 60 cm )

Image Size: 23.5 x 15.75 inches ( 60 x 40 cm )

GERHARD RICHTER Victoria II, 2003

$4,500

About the Artist

Gerhard Richter

Gerhard Richter (b. 1932) is a German visual artist. Richter has produced abstract as well as photorealistic paintings, and also photographs and glass pieces. His art follows the examples of Picasso and Jean Arp in undermining the concept of the artist's obligation to maintain a single cohesive style. Nearly all of Richter's work demonstrates both illusionistic space that seems natural and the physical activity and material of painting—as mutual interferences. For Richter, reality is the combination of new attempts to understand—to represent; in his case, to paint—the world surrounding us. “Since there is no such thing as absolute rightness and truth, we always pursue the artificial, leading, human truth. We judge and make a truth that excludes other truths. Art plays a formative part in this manufacture of truth.”
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