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Peters, Jurgen

JURGEN PETERS Diagonal, 1979

Regular price $700
Shipping calculated at checkout.

This hand-printed screen print, titled Diagonal, was created by Jurgen Peters in 1979. Published by Editions Limited and printed on-site at the gallery in San Francisco on thick art paper, the piece features vibrant lines of color that create a distorted effect, as if the square at the center has been shaken by an earthquake—a fitting nod to the region’s seismic activity. The dynamic lines give the work an energetic, almost vibrating quality, characteristic of Peters' unique approach to geometric abstraction.

Details

Sku: YY6453

Artist: Jurgen Peters

Title: Diagonal

Year: 1979

Signed: No

Medium: Serigraph

Edition Size: Unknown

Framed: No

Frame Suggestion: Inquire with our experts for framing suggestions.

Condition: B: Very Good Condition, with signs of handling or age

Supplemental Condition Information: Small tear in bottom edge. Light corner damage and edge damage along the lower edge.

Dimensions

Paper Size: 40 x 30 inches ( 102 x 76 cm )

Image Size: 26 x 26 inches ( 66 x 66 cm )

JURGEN PETERS Diagonal, 1979

$700

About the Artist

Jurgen Peters

Jurgen Peters (b. 1936 - ) was born in Hamburg, Germany. He became very well known in the 1970s as an optical artist, a contemporary of Victor Vasarely, Yaacov Agam and Briget Riley. His works were regularly advertised in the pages of "Art In America" in the 1970s. He made beautiful use of the silkscreen medium as an integral part of his creative process, stretching the intricacies of the medium to their fullest potential — while each color requires a unique screen thus resulting in a flat plane of color, he conjured near seamless gradients with highly subtle tonal variation. His imagery is characterized by geometry and pattern, making use of these color gradients to create optical illusions of depth and dimensionality. Despite being highly angular and mathematical in nature, both his color choices and their soft tonal character lend a warmth and relatability to the works. They are often reminiscent of forms found in nature, as in crystal formations or plant cell structures, or the way light fragments kaleidoscopically. The result is a meditative and dreamlike investigation of a deceptively simple concept.
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