It’s Getting Hot: 26% Off with STARTTHESUMMER

Cart 0

Sorry, looks like we don't have enough of this product.

Pair with
Add order notes
Subtotal Free
Shipping, taxes, and discount codes are calculated at checkout

D'Arcangelo, Allan

ALLAN D'ARCANGELO Highway U.S. 1, Number 5, 1992

Hurry, Only 1 Left!
Regular price $250
Shipping calculated at checkout.

Highway U.S. 1, Number 5 by Allan D’Arcangelo is an offset lithograph from a portfolio of six prints published by the Museum of Modern Art, now long out of print and sought after by collectors. D’Arcangelo, celebrated for his stark, hard-edged Pop Art style, reimagines the American highway as both symbol and abstraction—turning road signs, lines, and open spaces into minimalist visual icons of modern life. This work exemplifies his ability to capture the essence of American mobility and culture with bold simplicity and crisp geometry.

The print is presented in a white wood frame with a 1-inch front profile and a 3/4-inch side profile, mounted behind a 4-inch mat, creating a refined, gallery-quality display.

Details

Sku: YY5967

Artist: Allan D'Arcangelo

Title: Highway U.S. 1, Number 5

Year: 1992

Signed: No

Medium: Offset Lithograph

Edition Size: Unknown

Framed: Yes

Condition: A: Mint

Dimensions

Paper Size: 5 x 7 inches ( 13 x 18 cm )

Image Size: 4.5 x 5.25 inches ( 11 x 13 cm )

Frame Size: H: 15.5 x W: 14.5 x D: 0.75 in.

ALLAN D'ARCANGELO Highway U.S. 1, Number 5, 1992

$250

About the Artist

Allan D'Arcangelo

Allan D'Arcangelo (1930 - 1998) was an American artist and printmaker, best known for his paintings of highways and road signs that border on pop art and minimalism, precisionism and hard-edge painting, and also surrealism. His subject matter is distinctly American and evokes, at times, a cautious outlook on the future of this country. Allan D'Arcangelo was the son of Italian immigrants. He studied at the University of Buffalo from 1948–1953, where he got his bachelor's degree in history. After college, he moved to Manhattan and picked up his studies again at the New School of Social Research and the City University of New York, City College. At this time, he encountered Abstract Expressionist painters who were in vogue at the moment. After joining the army in the mid 1950s, he used the GI Bill to study painting at Mexico City College from 1957–59. He returned to New York in 1959, in search of the unique American experience. It was at this time that his painting took on a cool sensibility reminiscent of Roy Lichtenstein and Andy Warhol. However, throughout his life, D'Arcangelo remained politically active-and this is evident in his painting, though not necessarily in an overt way. His interests engaged with the environment, anti-Vietnam War protests, and the commodification and objectification of female sexuality. Through his painting and writings, it is clear that D'Arcangelo had a palpable discomfort with the social mores of his time, which can be read in the detached treatment with which he treated his subjects.
×

Please wait...

Make an Offer

Descriptive image text
Descriptive image text