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Mapplethorpe, Robert

ROBERT MAPPLETHORPE Untitled, 1985, 1991

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Regular price $250
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This striking image by Robert Mapplethorpe, titled Untitled, 1985, is drawn from a 1991 box set published by teNeues Publishing Company and printed in Germany. In this portrait, the model is seen holding an orange object—possibly a fruit—in front of his mouth, creating a bold visual contrast and drawing attention to the interplay of form, shadow, and gesture. The composition exemplifies Mapplethorpe’s mastery of photographic depth and his ability to transform simple elements into visually arresting symbols.

Presented in a white wood frame with a front profile of 1 inch and a side profile of 3/4 inch, and mounted behind a 4-inch mat, this image becomes a refined and elegant display piece, emphasizing the clean lines and sculptural quality that define Mapplethorpe’s iconic style.

Details

Sku: YY5900

Artist: Robert Mapplethorpe

Title: Untitled, 1985

Year: 1991

Signed: No

Medium: Offset Lithograph

Edition Size: Unknown

Framed: Yes

Condition: A: Mint

Dimensions

Paper Size: 7 x 5 inches ( 18 x 13 cm )

Image Size: 5.5 x 4.5 inches ( 14 x 11 cm )

Frame Size: H: 15.75 x W: 14.5 x D: 0.75 in.

ROBERT MAPPLETHORPE Untitled, 1985, 1991

$250

About the Artist

Robert Mapplethorpe

Robert Mapplethorpe (1946 – 1989) was an American photographer, known for his sensitive yet blunt treatment of controversial subject-matter in the large-scale, highly stylized black and white medium of photography. His work featured an array of subjects, including celebrity portraits, male and female nudes, self-portraits and still-life images of flowers. His most controversial work is that of the underground BDSM scene in the late 1960s and early 1970s of New York City. The homoeroticism of this work fuelled a national debate over the public funding of controversial artwork. His photography of flowers shows his remarkable mastery of the nuances of light, both with the camera itself and also in the darkroom. Patti Smith was a longtime roommate and close friend of Mapplethorpe and a frequent subject in his photography, including a stark, iconic photograph that appears on the cover of Smith's first album, Horses. "Robert took areas of dark human consent and made them into art. He worked without apology, investing the homosexual with grandeur, masculinity, and enviable nobility. Without affectation, he created a presence that was wholly male without sacrificing feminine grace. He was not looking to make a political statement or an announcement of his evolving sexual persuasion. He was presenting something new, something not seen or explored as he saw and explored it. Robert sought to elevate aspects of male experience, to imbue homosexuality with mysticism. As Cocteau said of a Genet poem, 'His obscenity is never obscene.' " — Patti Smith, Just Kids
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