ArtWise Brooklyn, NY Est. 1992

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Lichtenstein, Roy

ROY LICHTENSTEIN Cubist Cello, 1997

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Regular price $30,000
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Roy Lichtenstein’s Cubist Cello brings his distinctive Pop Art sensibility to the angular forms of Cubism, transforming a musical subject into a bold, graphic composition.

This large screenprint on 300-gram Somerset textured paper was published by the Estate of Roy Lichtenstein and Noblet Serigraphie, Inc., New York, to benefit the American Friends of the Tel Aviv Museum of Art. Created to support the museum’s Roy Lichtenstein Study Center for Contemporary Art, the work was in its final proofing stages at the time of the artist’s death in 1997.

This example is unnumbered and unsigned by the artist. The reverse bears a stamp with print details and the signature of printer Jean-Yves Noblet.

Another impression of Cubist Cello, bearing the notation “E.P. 2/2,” is held in the collection of the National Gallery of Art in Washington, D.C..

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Details

Sku: YY5822

Artist: Roy Lichtenstein

Title: Cubist Cello

Year: 1997

Signed: No

Medium: Serigraph

Edition Size: Unknown

Framed: No

Frame Suggestion: Inquire with our experts for framing suggestions.

Condition: A: Mint

Dimensions

Paper Size: 51 x 39.5 inches ( 130 x 100 cm )

Image Size: 40.75 x 30.5 inches ( 104 x 77 cm )

ROY LICHTENSTEIN Cubist Cello, 1997

$30,000

About the Artist

Roy Lichtenstein

Roy Lichtenstein (1923–1997) was an American artist and one of the leading figures of Pop Art. He famously took the visual language of comic books—bold outlines, flat colors, and Ben-Day dots—and enlarged it into monumental paintings. By mimicking the look of commercial printing, his works deliberately resembled mass-produced cartoons. What made Lichtenstein’s approach radical was not just the source material, but how he treated it. Images meant to be glanced at and quickly consumed were isolated, slowed down, and placed on gallery walls as objects of serious contemplation. Through this transformation, he revealed how powerful emotions such as love, fear, and heroism could be reduced to simplified visual codes. In doing so, Lichtenstein challenged traditional ideas of originality, emotion, and high art, reshaping how modern audiences understand images in a media-saturated world.
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ROY LICHTENSTEIN Cubist Cello, 1997
ROY LICHTENSTEIN Cubist Cello, 1997