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Ruscha, Edward

EDWARD RUSCHA Gagosian Gallery, 2014

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Regular price $250
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This poster, created for Ed Ruscha’s exhibition at Gagosian Gallery in Rome, features a striking image of parts of a tire ripped apart, set against a beige surface. The artwork’s fragmented depiction of the tire evokes themes of disintegration, destruction, and the passage of time.

Details

Sku: YY4781

Artist: Edward Ruscha

Title: Gagosian Gallery

Year: 2014

Signed: No

Medium: Offset Lithograph

Edition Size: Unknown

Framed: No

Frame Suggestion: Inquire with our experts for framing suggestions.

Condition: B: Very Good Condition, with signs of handling or age

Supplemental Condition Information: Slight scuffs throughout bottom border as well as scratch in bottom left corner

Dimensions

Paper Size: 27 x 36.5 inches ( 69 x 93 cm )

Image Size: 20.5 x 35 inches ( 52 x 89 cm )

EDWARD RUSCHA Gagosian Gallery, 2014

$250

About the Artist

Edward Ruscha

Ed Ruscha (b. 1937) is an American artist associated with the pop art movement. He has worked in the media of painting, printmaking, drawing, photography, and film. Ruscha lives and works in Culver City, California. Ruscha was born into a Roman Catholic family in Omaha, Nebraska. Ruscha's mother was supportive of her son's early signs of artistic skill and interests. Young Ruscha was attracted to cartooning and would sustain this interest throughout his adolescent years. He moved to Los Angeles in 1956 where he studied at the Chouinard Art Institute (now known as the California Institute of the Arts). After graduation, Ruscha took a job as a layout artist for the Carson-Roberts Advertising Agency in Los Angeles. Ruscha achieved recognition for paintings incorporating words and phrases and for his many photographic books, all influenced by the deadpan irreverence of the Pop Art movement. His textual, flat paintings have been linked with both the Pop Art movement and the beat generation. While in school in 1957, Ruscha chanced upon then unknown Jasper Johns’ Target with Four Faces in the magazine Print and was greatly moved. Ruscha has credited these artists’ work as sources of inspiration for his change of interest from graphic arts to painting. He was also impacted by John McLaughlin's, H.C. Westermann, Arthur Dove’s 1925 painting Goin’ Fishin’, Alvin Lustig's cover illustrations for New Directions Press, and much of Marcel Duchamp’s work. In a 1961 tour of Europe, Ruscha came upon more works by Johns and Robert Rauschenberg. As with Andy Warhol and Roy Lichtenstein, his East Coast counterparts, Ed Ruscha's artistic training was rooted in commercial art. His interest in words and typography ultimately provided the primary subject of his paintings, prints and photographs. (Wikipedia)
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