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Richter, Gerhard

GERHARD RICHTER IBM (G.EL.2, 18.1.1984), 1987

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Regular price $9,500
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"IBM G.EL.2, 18.1.1984" is an offset print created by renowned German artist Gerhard Richter. Based on a watercolor completed on January 18, 1984, this piece is notable for its vibrant use of yellow, red, blue, and black. Published in 1987, the edition includes 75 copies signed and numbered in pencil, 20 artist’s proofs marked with Roman numerals and "e.a." (épreuve d'artiste), and 12 unmarked impressions.

This particular piece is one of the 12 unmarked impressions, with the graphite markings, but without signatures, and numbering present in the other editions. This version allows viewers to focus solely on the visual composition without distractions, showcasing Richter's mastery in blending color and form.

The title "IBM G.EL.2, 18.1.1984" and the artwork's creation date reflect Richter's systematic approach to titling, often using catalog-like labels to maintain objectivity and avoid influencing viewers' interpretations. The use of IBM in the title may hint at themes of technology and modernity, underscoring the artist’s engagement with contemporary issues.

Details

Sku: YY4667

Artist: Gerhard Richter

Title: IBM (G.EL.2, 18.1.1984)

Year: 1987

Signed: No

Medium: Offset Lithograph

Edition Size: 12

Framed: No

Frame Suggestion: Inquire with our experts for framing suggestions.

Condition: A: Mint

Dimensions

Paper Size: 19.75 x 22.75 inches ( 50 x 58 cm )

Image Size: 10.75 x 14.25 inches ( 27 x 36 cm )

GERHARD RICHTER IBM (G.EL.2, 18.1.1984), 1987

$9,500

About the Artist

Gerhard Richter

Gerhard Richter (b. 1932) is a German visual artist. Richter has produced abstract as well as photorealistic paintings, and also photographs and glass pieces. His art follows the examples of Picasso and Jean Arp in undermining the concept of the artist's obligation to maintain a single cohesive style. Nearly all of Richter's work demonstrates both illusionistic space that seems natural and the physical activity and material of painting—as mutual interferences. For Richter, reality is the combination of new attempts to understand—to represent; in his case, to paint—the world surrounding us. “Since there is no such thing as absolute rightness and truth, we always pursue the artificial, leading, human truth. We judge and make a truth that excludes other truths. Art plays a formative part in this manufacture of truth.”
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