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Escher, M.C.

M.C. ESCHER Belvedere, 1988

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Regular price $149
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M.C. Escher’s Belvedere is framed in a shiny black metal frame with a 3/8-inch front profile and a 7/8-inch side profile, lending it a sleek, contemporary appearance. The overall dimensions are approximately 10.5 x 7 x 7/8 inches.

The meaning of Belvedere (1958) lies in Escher’s exploration of impossible structures and the limitations of perspective. In this lithograph, Escher presents a building with architectural inconsistencies that defy logic, such as columns and beams that connect in ways that are physically impossible. The figure at the bottom holds a drawing of a cube that seems to twist impossibly, echoing the structure above. Through Belvedere, Escher encourages viewers to question their perception and challenges conventional understandings of spatial reality. The piece is a fascinating commentary on illusion, perspective, and the brain's tendency to make sense of the nonsensical.

Details

Sku: YY4150

Artist: M.C. Escher

Title: Belvedere

Year: 1988

Signed: No

Medium: Offset Lithograph

Edition Size: Unknown

Framed: Yes

Condition: A: Mint

Dimensions

Paper Size: 9.5 x 6 inches ( 24 x 15 cm )

Image Size: 9.5 x 6 inches ( 24 x 15 cm )

Frame Size: Please inquire about the framed dimensions

M.C. ESCHER Belvedere, 1988

$149

About the Artist

M.C. Escher

M. C. Escher (1898–1972) was a Dutch graphic artist known for his mathematically inspired woodcuts and lithographs featuring impossible objects, infinity, symmetry, and tessellations. Though not formally trained in math, he engaged with mathematicians like Roger Penrose and H. S. M. Coxeter and studied patterns and geometry on his own. Early in his career, he drew from nature and architecture, particularly during travels in Italy and Spain. Escher's work gained popularity in both scientific circles and popular culture, notably after being featured by Martin Gardner in Scientific American, and inspired works like Douglas Hofstadter’s Gödel, Escher, Bach.
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