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Sherman, Cindy

CINDY SHERMAN Possession, 1994

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Regular price $250
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This original exhibition poster promotes a show of Cindy Sherman's work held at City Art Galleries, Prince Street, Manchester, from September 17 to November 6, 1994. The poster features an image from Sherman’s *Untitled #96* (1981), a striking example of her *Untitled Film Stills* series that explores themes of identity, gender, and the constructed nature of feminine stereotypes. The design of the poster reflects Sherman’s ability to transform herself into various personas, blurring the lines between art, performance, and narrative. This collectible piece captures a pivotal moment in Sherman’s career, celebrating her significant influence on contemporary photography and visual culture.

Details

Sku: YY2960

Artist: Cindy Sherman

Title: Possession

Year: 1994

Signed: No

Medium: Offset Lithograph

Edition Size: Unknown

Framed: No

Frame Suggestion: Inquire with our experts for framing suggestions.

Condition: A-: Near Mint, very light signs of handling

Supplemental Condition Information: Small dents and paper breaks throughout poster.

Dimensions

Paper Size: 23.5 x 16.5 inches ( 60 x 42 cm )

Image Size: 23.5 x 16.5 inches ( 60 x 42 cm )

CINDY SHERMAN Possession, 1994

$250

About the Artist

Cindy Sherman

Cindy Sherman (b. 1954) is an American photographer and film director from the New York City area, best known for her conceptual photograph portraits in which she is her own model, using herself as a vehicle for commentary on a variety of issues of the modern world: the role of the woman, the role of the artist, and others. It is through these ambiguous and eclectic photographs that Sherman has developed a distinct signature style. Through a number of different series of works, Sherman has raised challenging and important questions about the role and representation of women in society, the media and the nature of the creation of art. Her images are full of kitsch, gaudiness and high drama, succinctly calling attention to some of the absurdities of popular society and the affected personas it encourages.
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