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Clave, Antoni

ANTONI CLAVE Olympics 1992 Barcelona, 1992

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Regular price $250
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This vibrant poster was created by Antoni Clavé, a renowned Spanish painter and sculptor, to commemorate the 1992 Summer Olympics held in Barcelona, Spain. Clavé, known for his abstract and expressive style, brought his unique vision to this Olympic poster, which captures the spirit of the games and the cultural significance of Barcelona as the host city.

The poster features bold, energetic brushstrokes and geometric shapes, symbolizing the dynamism of the Olympic athletes and the international unity fostered by the event. Clavé’s design stands out among the official Olympic posters for its artistic depth and abstract representation of movement, making it both a piece of sports history and a work of fine art.

Details

Sku: YY2620

Artist: Antoni Clave

Title: Olympics 1992 Barcelona

Year: 1992

Signed: No

Medium: Offset Lithograph

Edition Size: Unknown

Framed: No

Frame Suggestion: Inquire with our experts for framing suggestions.

Condition: B: Very Good Condition, with signs of handling or age

Supplemental Condition Information: Small dents and paper breaks throughout poster

Dimensions

Paper Size: 27.5 x 19.5 inches ( 70 x 50 cm )

Image Size: 22.75 x 16.25 inches ( 58 x 41 cm )

ANTONI CLAVE Olympics 1992 Barcelona, 1992

$250

About the Artist

Antoni Clave

Antoni Clave (1913 - 2005) Catalan born, has become completely Parisian and brings to the French art world a rare exuberance and dash, both in the boldness of his brush and in his palette of black-and-gray spiced with scarlets and purples. His youth in Spain was of extreme poverty and hardship – he began at 14 to work long hours as a house-painter, but still was able to study at night in the Ecole des Beaux Arts of his native Barcelona. At 26 he came to Paris and drew comic strips, music covers, posters until 1943. After the Liberation his first show of paintings at the Galerie Andre Joly , his first theatre designs [for two Roland Petit ballets: Los Caprichos and the celebrated Carmen] put him at once into the front rank of important painters. With delightful facility and constant invention he has created theatrical decors [Ballabile for Covent Garden, Les noces de Figaro for Aix-en-Provence, Deuil en 24 heures for Roland Petit, and Ruth Page’s forthcoming ballet of The Barber of Seville at the Chicago Opera], about a dozen lithographs, book illustrations [Carmen, La Dame Pique, and the new Rabelais which is considered one of the great illustrated books of the half-century], a new show of paintings in Paris in 1953, in Rome and London this season. Clave lives and paints in a little atelier on a garden not far from the corner of Boulevard du Montparnasse and the Boul’ Mich’. His future plans: to paint, then to paint some more.
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