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Berchmans, Emile

EMILE BERCHMANS L'Art Independant, 1897

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This is an original first printing lithograph page by Émile Berchmans, featured in the influential 1897 book Das Moderne Plakat (The Modern Poster), compiled by Edmund Sonsel and published by Verlag von Gerhard Kuhtmann in Dresden. The image, titled L'Art Indépendant, showcases Berchmans’ elegant Art Nouveau style, characterized by fluid lines, harmonious color palettes, and a refined sense of composition.

Berchmans was a key figure in the Belgian poster movement, and this plate is a rare example of his early contribution to modern graphic design. As part of one of the first international surveys of poster art, this lithograph is both a collectible work of art and a historical document marking the rise of the poster as a legitimate artistic medium at the end of the 19th century.

Details

Sku: YY2148

Artist: Emile Berchmans

Title: L'Art Independant

Year: 1897

Signed: No

Medium: Lithograph

Edition Size: Unknown

Framed: No

Frame Suggestion: Inquire with our experts for framing suggestions.

Condition: A: Mint

Dimensions

Paper Size: 11.5 x 8.25 inches ( 29 x 21 cm )

Image Size: 7.75 x 6 inches ( 20 x 15 cm )

EMILE BERCHMANS L'Art Independant, 1897

$150

About the Artist

Emile Berchmans

Emile Berchmans (1867 - 1947) was a Belgian painter from Liege, Brussels, and one of the main poster artists in Belgium of the early 20th century. He came from an artistic family, his father a painter and his brother a sculptor. He trained in his father's studio and at the Academy of Fine Arts in Liege. He was one of the leading poster artists of Auguste Benard's printing press in Liege: this collaboration between the three artists from Liege and the French printer is the basis of the graphic production that was at the forefront of poster art in Europe in the late 19th and beginning of the 20th centuries. in 1904 Berchmans was appointed professor of historical composition and sketching at the Academy of Fine Arts of Liege; he taught painting and decorative arts from 1922; and he was director of the Academy from 1930 to 1934.
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