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McLean, Richard

RICHARD MCLEAN Native Dancer, 1972 - Signed

Regular price $900
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Signed in pencil by Robert McLean, and numbered out of 200. This print is from the 1972 limited edition portfolio Radical Realism I, published by Mother Lode Editions in association with Hundred Acres Gallery.

The image depicts a meticulously rendered horse racing victory scene: a jockey in red and white silks seated atop a dark thoroughbred, surrounded by handlers and officials presenting a trophy, with palm trees and manicured grounds in the background. Executed in McLean’s characteristic photorealist style, the composition captures the pageantry and stillness of a staged winner’s circle moment with crisp detail and saturated color.

The complete Radical Realism I portfolio also included works by Richard Estes, Ralph Goings, Malcolm Morley, John Salt, and John Clem Clarke.

Details

Sku: YY0475-B

Artist: Richard McLean

Title: Native Dancer

Year: 1972

Signed: Yes

Medium: Offset Lithograph

Edition Size: 200

Framed: No

Frame Suggestion: Inquire with our experts for framing suggestions.

Condition: A: Mint

Dimensions

Paper Size: 22 x 26.25 inches ( 56 x 67 cm )

Image Size: 20 x 24.25 inches ( 51 x 62 cm )

RICHARD MCLEAN Native Dancer, 1972 - Signed

$900

About the Artist

Richard McLean

Richard Thorpe McLean (1934–2014) was an American painter recognized as one of the key figures of Photorealism. Born in Hoquiam, Washington, he studied at the California College of Arts and Crafts in Oakland, where he received his B.F.A. in 1958, and later earned his M.F.A. at Mills College in 1962. McLean gained acclaim in the late 1960s and 1970s for his meticulously detailed depictions of horses, often drawn from images in equestrian magazines or his own photography. His works captured the glossy precision of show horses and the tension of competition arenas, balancing photographic accuracy with painterly sensitivity. He became associated with a group of realist painters whose work blurred the line between painting and photography, and his pieces were included in important exhibitions such as Twenty-Two Realists at the Whitney Museum of American Art in 1970. McLean’s paintings and prints are represented in major public collections, including the Whitney, the San Francisco Museum of Modern Art, and the Smithsonian American Art Museum. Though best known for equestrian subjects, his later work expanded into broader landscapes where horses appeared incidentally, reflecting a shift in focus. Throughout his career, McLean maintained a reputation for technical mastery and a distinct vision within the Photorealist movement, leaving behind a body of work that remains valued both for its precision and its cultural resonance.
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