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Marini, Marino

MARINO MARINI XXe Siecle no 35, 1970

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Regular price $150
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This is an original lithograph by Marino Marini, featured in the 1970 publication XXe Siècle No. 35. This artwork showcases Marini's signature depiction of a horse, rendered with bold, thick strokes against a vibrant red background. The lithograph measures approximately 12.25 x 9.5 inches and was printed by the renowned Mourlot Press in Paris.

Marini, an Italian sculptor and painter, is celebrated for his exploration of equestrian themes, often symbolizing the dynamic relationship between man and nature. His works are characterized by expressive forms and a vivid color palette, as evident in this lithograph.

The XXe Siècle (20th Century) was a prestigious art journal that featured original prints by leading contemporary artists. Issue No. 35, published in 1970, included contributions from artists associated with movements such as CoBrA and Narrative Figuration, with Marini's lithograph being a notable highlight.

Details

Sku: YY0219

Artist: Marino Marini

Title: XXe Siecle no 35

Year: 1970

Signed: No

Medium: Lithograph

Edition Size: Unknown

Framed: No

Frame Suggestion: Inquire with our experts for framing suggestions.

Condition: A-: Near Mint, very light signs of handling

Dimensions

Paper Size: 12.25 x 9.5 inches ( 31 x 24 cm )

Image Size: 12.25 x 9.5 inches ( 31 x 24 cm )

MARINO MARINI XXe Siecle no 35, 1970

$150

About the Artist

Marino Marini

Marino Marini (1901 – 1980) was an Italian sculptor born in Pistoia, Italy. He attended the Accademia di Belle Arti in Florence in 1917. Although he never abandoned painting, Marini devoted himself primarily to sculpture from about 1922. From this time his work was influenced by Etruscan art and the sculpture of Arturo Martini. Marini succeeded Martini as professor at the Scuola d’Arte di Villa Reale in Monza, near Milan, in 1929, a position he retained until 1940. He participated in the 'Twentieth-Century Italian Art' show at the Museum of Modern Art in New York City in 1944. His aim was to develop mythical images by interpreting classical themes in light of modern concerns and techniques.
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