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Marini, Marino

MARINO MARINI Cheval et Cavalier, 1963

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This lithograph, titled Cheval et Cavalier (Horse and Rider), is an iconic work by Marino Marini, featured as a published book plate in the prestigious XXe Siècle No. 21 (1963). Known for his profound exploration of the horse-and-rider motif, Marini captures the intense and symbolic relationship between man and animal.

The composition features the bold, gestural outlines of a horse and rider, rendered in Marini’s signature expressionist style, with thick, assertive strokes and a vivid red background that adds emotional intensity. His use of simple yet commanding lines evokes primal energy and timeless mythological themes.

This lithograph was printed by the renowned Mourlot Press in Paris, a studio known for its collaborations with modern masters such as Picasso, Matisse, and Chagall. As part of XXe Siècle No. 21, this work reflects the journal’s dedication to showcasing the most innovative and influential artists of the 20th century.

Cheval et Cavalier embodies Marini’s enduring exploration of human struggle, balance, and transformation, themes that define much of his sculptural and graphic work. As a collectible lithograph from a pivotal period of his career, it holds significant value for collectors of modern art, lithographs, and works associated with XXe Siècle.

Details

Sku: YY0217

Artist: Marino Marini

Title: Cheval et Cavalier

Year: 1963

Signed: No

Medium: Lithograph

Edition Size: Unknown

Framed: No

Frame Suggestion: Inquire with our experts for framing suggestions.

Condition: A: Mint

Dimensions

Paper Size: 12.25 x 9.5 inches ( 31 x 24 cm )

Image Size: 12.25 x 9.5 inches ( 31 x 24 cm )

MARINO MARINI Cheval et Cavalier, 1963

$150

About the Artist

Marino Marini

Marino Marini (1901 – 1980) was an Italian sculptor born in Pistoia, Italy. He attended the Accademia di Belle Arti in Florence in 1917. Although he never abandoned painting, Marini devoted himself primarily to sculpture from about 1922. From this time his work was influenced by Etruscan art and the sculpture of Arturo Martini. Marini succeeded Martini as professor at the Scuola d’Arte di Villa Reale in Monza, near Milan, in 1929, a position he retained until 1940. He participated in the 'Twentieth-Century Italian Art' show at the Museum of Modern Art in New York City in 1944. His aim was to develop mythical images by interpreting classical themes in light of modern concerns and techniques.
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