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Lichtenstein, Roy

ROY LICHTENSTEIN Okay, Hot-Shot!, 1988

Regular price $75
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This offset lithograph, OK Hot Shot, is part of a now out-of-print six-print portfolio published by the Guggenheim Museum, highlighting Roy Lichtenstein’s signature Pop Art aesthetic. Capturing the dramatic energy of classic comic book panels, the image features a bold, action-packed composition infused with Lichtenstein’s signature Ben-Day dots, crisp outlines, and a dynamic sense of movement.

With its cinematic framing and vibrant primary colors, OK Hot Shot embodies Lichtenstein’s fascination with mass media, heroism, and narrative suspense. The interplay between text and image adds to the immediacy and impact, reinforcing his commentary on the visual language of American popular culture.

Details

Sku: YY0006

Artist: Roy Lichtenstein

Title: Okay, Hot-Shot!

Year: 1988

Signed: No

Medium: Offset Lithograph

Edition Size: Unknown

Framed: No

Frame Suggestion: Inquire with our experts for framing suggestions.

Condition: A: Mint

Dimensions

Paper Size: 14 x 11 inches ( 36 x 28 cm )

Image Size: 10.5 x 8.75 inches ( 27 x 22 cm )

ROY LICHTENSTEIN Okay, Hot-Shot!, 1988

$75

About the Artist

Roy Lichtenstein

Roy Lichtenstein (1923–1997) was an American artist and one of the leading figures of Pop Art. He famously took the visual language of comic books—bold outlines, flat colors, and Ben-Day dots—and enlarged it into monumental paintings. By mimicking the look of commercial printing, his works deliberately resembled mass-produced cartoons. What made Lichtenstein’s approach radical was not just the source material, but how he treated it. Images meant to be glanced at and quickly consumed were isolated, slowed down, and placed on gallery walls as objects of serious contemplation. Through this transformation, he revealed how powerful emotions such as love, fear, and heroism could be reduced to simplified visual codes. In doing so, Lichtenstein challenged traditional ideas of originality, emotion, and high art, reshaping how modern audiences understand images in a media-saturated world.
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