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Berchem, Claes Pietersz

CLAES PIETERSZ BERCHEM The Ford, 1930

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Drawings by Dutch and Flemish Masters of the XV-XVIII Centuries. From a selection of 40 facsimiles of the originals preserved in the Albertina Collection in Vienna. With an introduction and descriptive text by Joseph Meder, Late Director of the Albertina and edited in English Campbell Dodgson, M.A, C.B.E, Kepper of prints and drawings at the Britich Museum.

Published in London by BT Batsford Ltd, 94, High Holborn in 1930.

The edition for the British Empire and the United States of America is limited to 125 copies.

All rights of this work are the property of Anton Schroll & Co who are publishers of the German Edition. Printed in Austria.

Plate #38 "The Ford", across which a herdsman is driving his cows. The bank, illuminated by the evening sun, is reflected in the still water. Signed above on the left, "C. Berghem f. 1655"

Details

Sku: XX9224

Artist: Claes Pietersz Berchem

Title: The Ford

Year: 1930

Signed: No

Medium: Lithograph

Edition Size: 125

Framed: No

Frame Suggestion: Inquire with our experts for framing suggestions.

Condition: A: Mint

Dimensions

Paper Size: 17.75 x 23.5 inches ( 45 x 60 cm )

Image Size: 11 x 12.5 inches ( 28 x 32 cm )

CLAES PIETERSZ BERCHEM The Ford, 1930

$70

About the Artist

Claes Pietersz Berchem

Nicolaes Pieterszoon Berchem (1620 – 1683) was a highly esteemed and prolific Dutch Golden Age painter of pastoral landscapes, populated with mythological or biblical figures, but also of a number of allegories and genre pieces. He was a member of the second generation of "Dutch Italianate landscape" painters. These were artists who travelled to Italy, or aspired to, in order to soak up the romanticism of the country, bringing home sketchbooks full of drawings of classical ruins and pastoral imagery. His paintings, of which he produced an immense number, (Hofstede de Groot claimed around 850, although many are misattributed), were in great demand, as were his 80 etchings and 500 drawings. His landscapes, painted in the Italian style of idealized rural scenes, with hills, mountains, cliffs and trees in a golden dawn are sought after. Berchem also painted inspired and attractive human and animal figures (staffage) in works of other artists, like Allaert van Everdingen, Jan Hackaert, Gerrit Dou, Meindert Hobbema and Willem Schellinks.
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