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Botero, Fernando

FERNANDO BOTERO La Cama (Lg), 1980

Regular price $90
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In La Cama, Botero adds a clever twist to Botticelli's The Birth of Venus by reimagining Venus rising not from the sea but from her bed. The contrast between the monumental figure of Venus and the modestly proportioned bed heightens the humor and absurdity, hallmarks of Botero’s playful style.

This exaggerated disparity challenges traditional ideals of proportion and beauty, creating a striking tension between the grandeur of Venus and the everyday setting. Botero’s reinterpretation blends art historical homage with subtle satire, transforming the divine into the relatable. It’s a humorous and thought-provoking reflection on human nature, love, and desire, seen through the lens of Boterismo.

Details

Sku: MG1006

Artist: Fernando Botero

Title: La Cama (Lg)

Year: 1980

Signed: No

Medium: Offset Lithograph

Edition Size: Unknown

Framed: No

Frame Suggestion: Inquire with our experts for framing suggestions.

Condition: A: Mint

Dimensions

Paper Size: 42 x 26 inches ( 107 x 66 cm )

Image Size: 37.5 x 26 inches ( 95 x 66 cm )

FERNANDO BOTERO La Cama (Lg), 1980

$90

About the Artist

Fernando Botero

Fernando Botero (b. 1932) is a figurative artist and sculptor from Medellín, Colombia. His signature style, also known as "Boterismo", depicts people and figures in large, exaggerated volume. Of his own affinity for these so-called "large figures" he said: "An artist is attracted to certain kinds of form without knowing why. You adopt a position intuitively; only later do you attempt to rationalize or even justify it." He is considered the most recognized and quoted living artists from Latin America, and his art can be found in highly visible places around the world, such as Park Avenue in New York City and the Champs-Elysees in Paris. Though he spends only one month a year in Colombia, he considers himself the "most Colombian artist living" due to his isolation from the international trends of the art world. The expressions and gestures of his subjects reflect a mystifyingly relatable humanity, and his warm tones and often humorous, pleasurable, or simply commonplace scenes give them a beguilingly endearing charm.
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