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Ritts, Herb

HERB RITTS Waterfall IV, 2002

Regular price $250
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Herb Ritts' iconic photograph "Waterfall IV" is a mesmerizing exploration of the human form, water, and light. This stunning shot captures a solitary male figure beneath a cascading waterfall, his sculpted physique accentuated by the intense interplay of natural light and the fluid motion of water. The power and grace of the human body are masterfully juxtaposed against the raw, untamed force of nature.

Ritts' signature use of strong contrasts, chiaroscuro lighting, and elegant composition elevates this image to the realm of fine art photography. The shimmering rivulets of water carve trails along the subject's form, simultaneously concealing and revealing the contours of the body. The moment is frozen in time, yet it evokes a profound sense of movement, rhythm, and transformation.

"Waterfall IV" is part of Ritts’ larger body of work that celebrates the beauty of the human form through elemental forces—earth, air, and, in this case, water. His photographs are known for their timeless elegance, modernist simplicity, and sculptural quality, which is evident in this particular piece. The natural environment serves as a stage for Ritts' subject, emphasizing both vulnerability and strength.

Details

Sku: GH1535

Artist: Herb Ritts

Title: Waterfall IV

Year: 2002

Signed: No

Medium: Offset Lithograph

Edition Size: Unknown

Framed: No

Frame Suggestion: Inquire with our experts for framing suggestions.

Condition: B: Very Good Condition, with signs of handling or age

Supplemental Condition Information: Small dents and paper breaks in upper section of image

Dimensions

Paper Size: 31.5 x 25.5 inches ( 80 x 65 cm )

Image Size: 21.75 x 21 inches ( 55 x 53 cm )

HERB RITTS Waterfall IV, 2002

$250

About the Artist

Herb Ritts

Herbert "Herb" Ritts (1952 – 2002) was an American fashion photographer and director prolific for his photographs of celebrities, models, and other cultural figures throughout the 1980s and 1990s. His work concentrated on black-and-white photography and portraits, often in the style of classical Greek sculpture, which emphasized the human shape. Born in Los Angeles, to a Jewish family, Ritts began his career working in the family furniture business. His father, Herb Ritts Sr., was a businessman, while his mother, Shirley Ritts, was an interior designer. He moved to the East Coast to attend Bard College in New York, where he majored in economics and art history, graduating in 1975. Later, while living in Los Angeles, he became interested in photography when he and friend Richard Gere, then an aspiring actor, decided to shoot some photographs in front of an old jacked up Buick. The picture gained Ritts some coverage and he began to be more serious about photography. He photographed Brooke Shields for the cover of the Oct. 12, 1981 edition of Elle and he photographed Olivia Newton-John for her Physical album in 1981. Five years later, he would replicate that cover pose with Madonna for her 1986 release True Blue. During the 1980s and 1990s, Ritts prominently photographed celebrities in various locales throughout California. Some of his subjects during this time included Elizabeth Taylor, Vincent Price, Madonna, Denzel Washington, Johnny Depp, Ronald Reagan, David Bowie, Courtney Love, Liv Tyler, Matthew McConaughey, and Britney Spears. He also took many fashion and nude photographs of fashion models Naomi Campbell, Stephanie Seymour, Tatjana Patitz, Christy Turlington, and Cindy Crawford. Ritts' work with them ushered in the 1990s era of the supermodel and was consecrated by one of his most celebrated images, "Stephanie, Cindy, Christy, Tatjana, Naomi, Hollywood, 1989" taken for Rolling Stone Magazine. He also worked for Interview, Esquire, Mademoiselle, Glamour, GQ, Newsweek, Harper's Bazaar, Rolling Stone, Time, Vogue, Allure, Vanity Fair, Details, and Elle. He published many books on photography for fashion designers including, Giorgio Armani, Revlon, Ralph Lauren, Chanel, Gianni Versace, Calvin Klein, Valentino and many more. From 1996 to 1997 his work was displayed at the Boston Museum of Fine Arts in Boston, attracting more than 250,000 people to the exhibit, and in 2003 a solo exhibition was held at the Daimaru Museum, in Kyoto, Japan.
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