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Lichtenstein, Roy

ROY LICHTENSTEIN Tintin Reading, 1995

Regular price $450
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This is an authentic and official poster, not a third-party unauthorized version. Designed for a Roy Lichtenstein retrospective in Brussels, Belgium, in 1994-1995, it includes art references such as a nod to Matisse’s famous painting of dancing figures, which itself was inspired by an earlier work by William Blake. This exhibition poster (Corlett #III.16, page 270) is not numbered. The text at the bottom reads: © Roy Lichtenstein & Sabam Brussels 1995, Tintin Reading 1993, 205.7 x 167.6 cm, Coll. Carlo Bilotti, Palm Beach FL, Published by Plaizier Brussels, printed by Carto, Brussels, on KNP-Leykam paper. This piece is a valuable collectible for art enthusiasts, reflecting Lichtenstein’s iconic style and wit.

Details

Sku: GH1075

Artist: Roy Lichtenstein

Title: Tintin Reading

Year: 1995

Signed: No

Medium: Offset Lithograph

Edition Size: Unknown

Framed: No

Frame Suggestion: Inquire with our experts for framing suggestions.

Condition: A: Mint

Dimensions

Paper Size: 39 x 27.5 inches ( 99 x 70 cm )

Image Size: 29 x 23.25 inches ( 74 x 59 cm )

ROY LICHTENSTEIN Tintin Reading, 1995

$450

About the Artist

Roy Lichtenstein

Roy Lichtenstein (1923–1997) was an American artist and one of the leading figures of Pop Art. He famously took the visual language of comic books—bold outlines, flat colors, and Ben-Day dots—and enlarged it into monumental paintings. By mimicking the look of commercial printing, his works deliberately resembled mass-produced cartoons. What made Lichtenstein’s approach radical was not just the source material, but how he treated it. Images meant to be glanced at and quickly consumed were isolated, slowed down, and placed on gallery walls as objects of serious contemplation. Through this transformation, he revealed how powerful emotions such as love, fear, and heroism could be reduced to simplified visual codes. In doing so, Lichtenstein challenged traditional ideas of originality, emotion, and high art, reshaping how modern audiences understand images in a media-saturated world.
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