ArtWise Brooklyn, NY Est. 1992

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Thomas, Mickalene

MICKALENE THOMAS Portrait of Qusuquzah #8, 2026 - Signed

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Impression 39 of 99.

"Portrait of Qusuquzah #8" is a celebrated mixed-media artwork created by Mickalene Thomas in 2008 that features her long-term muse, Qusuquzah, projecting a serene and unapologetically confident gaze. Drawing heavily on 1970s fashion, dense patterning, and bold ornamentation, the highly stylized composition reclaims and celebrates Black femme beauty, power, and intimacy. In early 2026, Thomas collaborated with the fine art platform Avant Arte to issue a limited edition of 99 archival pigment prints based on this original masterpiece. This specialized release utilized heavy Somerset paper and six distinct silkscreen layers—incorporating gloss varnish, matte seals, metallic shimmer, and glitter—to meticulously recreate the intense, tactile patchwork texture characteristic of Thomas's physical paintings.

Details

Sku: GH0990

Artist: Mickalene Thomas

Title: Portrait of Qusuquzah #8

Year: 2026

Signed: Yes

Medium: Serigraph

Edition Size: 99

Framed: No

Frame Suggestion: Inquire with our experts for framing suggestions.

Condition: A: Mint

Dimensions

Paper Size: 25.5 x 21 inches ( 65 x 53 cm )

Image Size: 23.5 x 18.75 inches ( 60 x 48 cm )

MICKALENE THOMAS Portrait of Qusuquzah #8, 2026 - Signed

$3,500

About the Artist

Mickalene Thomas

Mickalene Thomas (b. 1971) is a contemporary African-American artist best known for her complex paintings made of rhinestones, acrylic, and enamel. Her work draws from Western art history, pop art and visual culture to examine ideas around femininity, beauty, race, sexuality, and gender. She was raised by her mother Sandra "Mama Bush" Bush, who exposed Mickalene and her brother to art by enrolling them in after-school programs at the Newark Museum, and the Henry Street Settlement in New York. Thomas' mother raised her and her brother Buddhists. As a teenager, Mickalene and her mother had a very intimate and strenuous relationship due to her parents' addiction to drugs and Thomas dealing with her sexuality, which she documented in the short film Happy Birthday to a Beautiful Woman: A Portrait of My Mother. During her early career she found herself immersed in the growing culture of DIY artists and musicians, leading her to start her own body of work. Her depictions of African-American women explore notions of black female celebrity and identity while romanticizing ideas of femininity and power. Reminiscent of '70s style blaxploitation, the subjects in Thomas's paintings and collages radiate sexuality. Thomas's website notes that she presents a "complex vision of what it means to be a woman and expands common definitions of beauty" and "explores notions of beauty from a contemporary perspective influenced by popular culture and pop art."
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MICKALENE THOMAS Portrait of Qusuquzah #8, 2026 - Signed
MICKALENE THOMAS Portrait of Qusuquzah #8, 2026 - Signed