ArtWise Brooklyn, NY Est. 1992

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Richter, Gerhard

GERHARD RICHTER Kuchenstuhl, 1965

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An everyday object becomes something quietly captivating in Gerhard Richter’s *Küchenstuhl (Kitchen Chair)*, 1965. With its soft focus and restrained gray tones, the image gives a familiar chair an almost dreamlike presence, inviting a second look at something we might otherwise overlook. Based on a photograph Richter took himself, the original painting belongs to his early explorations of the relationship between photography and paint. Its understated composition makes it a natural fit for interiors where thoughtful details make the difference.

Published by DACO Verlag in a limited edition of 500, this reproduction is produced using a five-color hybrid printing process on substantial 260 gsm Rives fine art paper. The sheet measures approximately 23.6 × 31.5 inches, with a white border surrounding the image. Its generous scale and neutral palette lend themselves beautifully to a dining room, reading corner, or contemporary living space—an accessible way to bring Richter’s distinctive way of seeing into your collection.

Details

Sku: GH0986

Artist: Gerhard Richter

Title: Kuchenstuhl, 1965

Year: Unknown

Signed: No

Medium: Offset Lithograph

Edition Size: 500

Framed: No

Frame Suggestion: Inquire with our experts for framing suggestions.

Condition: A: Mint

Dimensions

Paper Size: 31.5 x 23.5 inches ( 80 x 60 cm )

Image Size: 26.75 x 21.25 inches ( 68 x 54 cm )

GERHARD RICHTER Kuchenstuhl, 1965

$820

About the Artist

Gerhard Richter

Gerhard Richter (b. 1932) is a German visual artist. Richter has produced abstract as well as photorealistic paintings, and also photographs and glass pieces. His art follows the examples of Picasso and Jean Arp in undermining the concept of the artist's obligation to maintain a single cohesive style. Nearly all of Richter's work demonstrates both illusionistic space that seems natural and the physical activity and material of painting—as mutual interferences. For Richter, reality is the combination of new attempts to understand—to represent; in his case, to paint—the world surrounding us. “Since there is no such thing as absolute rightness and truth, we always pursue the artificial, leading, human truth. We judge and make a truth that excludes other truths. Art plays a formative part in this manufacture of truth.”
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GERHARD RICHTER Kuchenstuhl, 1965
GERHARD RICHTER Kuchenstuhl, 1965