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Ruscha, Edward

EDWARD RUSCHA Norm's, La Cienega, On Fire

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Regular price $750
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Ed Ruscha’s *Norm’s, La Cienega, On Fire* transforms a familiar Los Angeles diner into a striking scene of architectural precision and unexpected drama. Vivid orange flames sweep across the building’s sharply angled roofline, set against an expansive deep blue sky. The cropped roadside sign and exaggerated perspective give the composition a cinematic energy that draws the eye across the image.

Featuring Ruscha’s celebrated 1964 painting, this poster brings his distinctive blend of California cool, deadpan humor, and everyday Americana to your walls. Its strong geometry and saturated colors make it a compelling focal point above a console, in a dining space, or as part of a collection of Pop Art and architectural prints.

Details

Sku: GH0932

Artist: Edward Ruscha

Title: Norm's, La Cienega, On Fire

Year: Unknown

Signed: No

Medium:

Edition Size: Unknown

Framed: No

Frame Suggestion: Inquire with our experts for framing suggestions.

Condition: A: Mint

Dimensions

Paper Size: 20 x 30 inches ( 51 x 76 cm )

Image Size: 14.75 x 28.5 inches ( 37 x 72 cm )

EDWARD RUSCHA Norm's, La Cienega, On Fire

$750

About the Artist

Edward Ruscha

Ed Ruscha (b. 1937) is an American artist associated with the pop art movement. He has worked in the media of painting, printmaking, drawing, photography, and film. Ruscha lives and works in Culver City, California. Ruscha was born into a Roman Catholic family in Omaha, Nebraska. Ruscha's mother was supportive of her son's early signs of artistic skill and interests. Young Ruscha was attracted to cartooning and would sustain this interest throughout his adolescent years. He moved to Los Angeles in 1956 where he studied at the Chouinard Art Institute (now known as the California Institute of the Arts). After graduation, Ruscha took a job as a layout artist for the Carson-Roberts Advertising Agency in Los Angeles. Ruscha achieved recognition for paintings incorporating words and phrases and for his many photographic books, all influenced by the deadpan irreverence of the Pop Art movement. His textual, flat paintings have been linked with both the Pop Art movement and the beat generation. While in school in 1957, Ruscha chanced upon then unknown Jasper Johns’ Target with Four Faces in the magazine Print and was greatly moved. Ruscha has credited these artists’ work as sources of inspiration for his change of interest from graphic arts to painting. He was also impacted by John McLaughlin's, H.C. Westermann, Arthur Dove’s 1925 painting Goin’ Fishin’, Alvin Lustig's cover illustrations for New Directions Press, and much of Marcel Duchamp’s work. In a 1961 tour of Europe, Ruscha came upon more works by Johns and Robert Rauschenberg. As with Andy Warhol and Roy Lichtenstein, his East Coast counterparts, Ed Ruscha's artistic training was rooted in commercial art. His interest in words and typography ultimately provided the primary subject of his paintings, prints and photographs. (Wikipedia)
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EDWARD RUSCHA Norm's, La Cienega, On Fire
EDWARD RUSCHA Norm's, La Cienega, On Fire