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McLean, Richard

RICHARD MCLEAN Native Dancer, 1972 - Signed

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Signed in pencil by McLean. From the 1972 limited edition portfolio entitled "Radical Realism I", published by Mother Lode Editions and Hundred Acres Gallery. The complete portfolio included the following prints: 'Bacchanal' by John Clem Clarke, 'Cafeteria' by Richard Estes, 'Paul's Corner' by Ralph Goings, 'Rhine Chateau' by Malcolm Morley, and 'Arrested Vehicle with Red Seats' by John Salt.

Details

Sku: GH0315

Artist: Richard McLean

Title: Native Dancer

Year: 1972

Signed: Yes

Medium: Offset Lithograph

Edition Size: Unknown

Framed: No

Frame Suggestion: Inquire with our experts for framing suggestions.

Condition: A: Mint

Dimensions

Paper Size: 22 x 26.25 inches ( 56 x 67 cm )

Image Size: 20 x 24.25 inches ( 51 x 62 cm )

RICHARD MCLEAN Native Dancer, 1972 - Signed

$700

About the Artist

Richard McLean

Richard Thorpe McLean (1934–2014) was an American painter recognized as one of the key figures of Photorealism. Born in Hoquiam, Washington, he studied at the California College of Arts and Crafts in Oakland, where he received his B.F.A. in 1958, and later earned his M.F.A. at Mills College in 1962. McLean gained acclaim in the late 1960s and 1970s for his meticulously detailed depictions of horses, often drawn from images in equestrian magazines or his own photography. His works captured the glossy precision of show horses and the tension of competition arenas, balancing photographic accuracy with painterly sensitivity. He became associated with a group of realist painters whose work blurred the line between painting and photography, and his pieces were included in important exhibitions such as Twenty-Two Realists at the Whitney Museum of American Art in 1970. McLean’s paintings and prints are represented in major public collections, including the Whitney, the San Francisco Museum of Modern Art, and the Smithsonian American Art Museum. Though best known for equestrian subjects, his later work expanded into broader landscapes where horses appeared incidentally, reflecting a shift in focus. Throughout his career, McLean maintained a reputation for technical mastery and a distinct vision within the Photorealist movement, leaving behind a body of work that remains valued both for its precision and its cultural resonance.
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