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Hajdu, Etienne

ETIENNE HAJDU Musée National d’Art Moderne, 1973

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Regular price $125
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Étienne Hajdu — Musée National d’Art Moderne

Original Exhibition Poster, Paris, 1973

This original exhibition poster was produced for a major presentation of works by sculptor Étienne Hajdu at the Musée National d’Art Moderne in Paris, held from May 26 through September 30, 1973.

The poster features one of Hajdu’s characteristic abstract sculptures, carved in stone and composed of rhythmically stacked biomorphic forms. Balancing organic softness with structural clarity, the work exemplifies Hajdu’s exploration of universal harmony through simplified volumes and flowing geometry. Influenced by the modernist sculptural tradition of Constantin Brancusi and the School of Paris, Hajdu developed a highly personal language merging abstraction with subtle references to the human figure and natural growth.

The restrained graphic design and dramatic photographic presentation reflect the refined visual identity of French museum posters of the early 1970s. Produced in the pre-digital poster era, the piece functions both as institutional documentation and as an autonomous modernist artwork.

Today, the poster stands as an important artifact of postwar European sculpture and Paris museum culture, representing a period when exhibition posters themselves became collectible expressions of modern design.

Framing available upon request.

Details

Sku: GH0262

Artist: Etienne Hajdu

Title: Musée National d’Art Moderne

Year: 1973

Signed: No

Medium: Offset Lithograph

Edition Size: Unknown

Framed: No

Frame Suggestion: Inquire with our experts for framing suggestions.

Condition: A-: Near Mint, very light signs of handling

Dimensions

Paper Size: 23.75 x 15.75 inches ( 60 x 40 cm )

Image Size: 15 x 14.5 inches ( 38 x 37 cm )

ETIENNE HAJDU Musée National d’Art Moderne, 1973

$125

About the Artist

Etienne Hajdu

Étienne Hajdu was a Hungarian-born French sculptor associated with the School of Paris and the postwar modernist movement. After studying at the Academy of Fine Arts in Budapest, he moved to Paris in 1928, where he became part of the vibrant avant-garde community working between abstraction and figuration. Influenced by artists such as Brancusi, Archipenko, and the Cubist sculptors, Hajdu developed a highly personal visual language characterized by simplified organic forms, rhythmic structures, and a balance between geometry and the human figure. His sculptures often evoke universal themes of growth, harmony, and spiritual presence through smooth, flowing volumes. From the 1950s onward, Hajdu gained international recognition, exhibiting widely across Europe and the United States. In addition to sculpture, he produced important works on paper and illustrated books, collaborating with poets and publishers connected to the Parisian literary and artistic milieu. His work is held in numerous public collections, including major French museums, and he remains an important figure of postwar European abstraction.
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