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Porter, Fairfield

FAIRFIELD PORTER Tibor de Nagy Gallery, 1970

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Regular price $250
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This vintage 1970 exhibition poster for Fairfield Porter’s show at the Tibor de Nagy Gallery in New York captures the refined, intimate realism that defines Porter’s work and his place in postwar American painting. A rare vertical format, the poster features one of Porter’s signature interior scenes, blending figurative art with the quiet painterly atmosphere for which he is celebrated. As a collectible gallery poster from a landmark New York exhibition, it appeals to admirers of American Realism, mid-century art, and the New York School, while its striking monochrome design makes it an elegant choice for interior décor. Ideal for collectors, designers, and anyone looking for a rare piece of modern American art history.

Details

Sku: GH0097

Artist: Fairfield Porter

Title: Tibor de Nagy Gallery

Year: 1970

Signed: No

Medium: Offset Lithograph

Edition Size: Unknown

Framed: No

Frame Suggestion: Inquire with our experts for framing suggestions.

Condition: A: Mint

Dimensions

Paper Size: 24 x 13.75 inches ( 61 x 35 cm )

Image Size: 24 x 13.75 inches ( 61 x 35 cm )

FAIRFIELD PORTER Tibor de Nagy Gallery, 1970

$250

About the Artist

Fairfield Porter

Fairfield Porter was an American painter and art critic best known for his intimate, light-filled scenes of domestic life, landscapes, and portraits. Working in a figurative style during a period dominated by Abstract Expressionism, Porter blended observational realism with a modernist sensitivity to color, structure, and brushwork. He studied at Harvard University and the Art Students League, eventually becoming an influential writer for Art News and The Nation, where he championed representational painting. Often portraying his family, friends, and the environment around his homes in New York City and on Long Island, Porter’s work is celebrated for its nuanced balance of realism and painterly abstraction. His paintings offer a quiet, lyrical vision of everyday American life, and his dual role as both painter and critic positioned him as a vital voice in mid-20th-century American art.
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