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Weiner, Lawrence

LAWRENCE WEINER Mens Rea, 2013 - Signed

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This poster is for the Lawrence Weiner exhibition titled Mens Rea, held at Galleria Giorgio Persano in Italy from October 2013 to January 2014. Hand-signed in black pen by Weiner, this piece reflects the artist's exploration of language, meaning, and intention within the context of art. The term "mens rea," which translates to "guilty mind," often relates to the intention behind actions, particularly in legal contexts.

Details

Sku: CB7117-B

Artist: Lawrence Weiner

Title: Mens Rea

Year: 2013

Signed: Yes

Medium: Offset Lithograph

Edition Size: Unknown

Framed: No

Frame Suggestion: Inquire with our experts for framing suggestions.

Condition: A-: Near Mint, very light signs of handling

Dimensions

Paper Size: 33 x 23.25 inches ( 84 x 59 cm )

Image Size: 33 x 23.25 inches ( 84 x 59 cm )

LAWRENCE WEINER Mens Rea, 2013 - Signed

$900

About the Artist

Lawrence Weiner

Lawrence Weiner (born 1942) is an American conceptual artist. He is one of the central figures in the formation of conceptual art in the 1960s. His work often takes the form of typographic texts. Weiner was born in the Bronx, New York, the son of a candy-store owner. After graduating from Stuyvesant High School at 16, he had a variety of jobs—he worked on an oil tanker, on docks, and unloading railroad cars. After studying at Hunter College for less than a year, he traveled throughout North America before returning to New York. Weiner is regarded as a founding figure of Postminimalism's Conceptual art, which includes artists like Douglas Huebler, Robert Barry, Joseph Kosuth, and Sol LeWitt. Weiner began his career as an artist as a very young man at the height of Abstract Expressionism. His debut public work/exhibition was at the age of 19, with what he called Cratering Piece. An action piece, the work consisted of explosives set to ignite simultaneously in the four corners of a field in Marin County, California. That work, as Weiner later developed his practice as a painter, became an epiphany for the turning point in his career. His work in the early 1960s included six years of making explosions in the landscape of California to create craters as individual sculptures. He is also known during his early work for creating gestures described in simple statements leading to the ambiguity of whether the artwork was the gesture or the statement describing the gesture: e.g."Two minutes of spray paint directly on the floor.." or " A 36" x 36" removal of lathing or support wall ..." (both 1968).
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