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Kelly, Ellsworth

ELLSWORTH KELLY Noir Et Rouge, 1958

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Regular price $700
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Ellsworth Kelly’s Noir et Rouge (Black and Red) embodies his signature minimalist and hard-edge abstraction, where form and color exist purely for their own sake, without representational meaning. The striking contrast of black and red reflects Kelly’s deep exploration of shape, balance, and spatial relationships, emphasizing the power of color as an independent force.

This poster, created for his exhibition at Galerie Maeght, aligns with Kelly’s philosophy of removing all unnecessary elements to let form and hue take center stage. Noir et Rouge invites the viewer to experience pure visual impact, celebrating the simplicity and intensity of color interaction in a way that is both bold and meditative.

Details

Sku: CB6558

Artist: Ellsworth Kelly

Title: Noir Et Rouge

Year: 1958

Signed: No

Medium: Lithograph

Edition Size: Unknown

Framed: No

Frame Suggestion: Inquire with our experts for framing suggestions.

Condition: A-: Near Mint, very light signs of handling

Dimensions

Paper Size: 25.5 x 19.5 inches ( 65 x 50 cm )

Image Size: 20.25 x 19.5 inches ( 51 x 50 cm )

ELLSWORTH KELLY Noir Et Rouge, 1958

$700

About the Artist

Ellsworth Kelly

Ellsworth Kelly (1923 – 2015) was an American painter, sculptor, and printmaker associated with hard-edge painting, Color Field painting and Minimalism. His works demonstrate unassuming techniques emphasizing line, color and form. Kelly often employed bright colors. Growing up, his family lived near the Oradell Reservoir in New Jersey, where his paternal grandmother introduced him to ornithology when he was eight or nine years old. There he developed his passion for form and color. John James Audubon had a particularly strong influence on Kelly's work throughout his career. Author Eugene Goossen speculated that the two- and three-color paintings for which Kelly is so well-known can be traced to his bird watching and his study of the two- and three-color birds he saw so frequently at an early age. Kelly has said he was often alone as a young boy and became somewhat of a "loner". He had a slight stutter that persisted into his teenage years. Kelly's admiration for Henri Matisse and Pablo Picasso are apparent in his work. He trained himself to view things in various ways and work in different mediums because of their inspiration.
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