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Fiedler, Francois

FRANCOIS FIEDLER Peinture, 1960

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Original first edition lithograph by François Fiedler titled Peinture en noir, published in 1960 for Derrière le Miroir (DLM) No. 119. Printed by the renowned Atelier Mourlot, this work is featured on page 34 of the issue. Fiedler, a Hungarian-born French painter associated with Galerie Maeght, was celebrated for his abstract compositions that explored texture, depth, and the expressive potential of form and color. In Peinture en noir, he employs bold contrasts and gestural intensity, highlighting the lyricism of black as both presence and absence.

As with all lithographs from Derrière le Miroir, this piece was issued in a limited edition and remains highly sought after for its combination of artistic merit and historical significance. A fine example of mid-century European abstraction and Fiedler’s close ties to the Maeght circle.

Framing available upon request.

Details

Sku: CB5367

Artist: Francois Fiedler

Title: Peinture

Year: 1960

Signed: No

Medium: Lithograph

Edition Size: Unknown

Framed: No

Frame Suggestion: Inquire with our experts for framing suggestions.

Condition: A-: Near Mint, very light signs of handling

Dimensions

Paper Size: 15 x 11 inches ( 38 x 28 cm )

Image Size: 15 x 11 inches ( 38 x 28 cm )

FRANCOIS FIEDLER Peinture, 1960

$175

About the Artist

Francois Fiedler

Francois Fiedler (1921 - 2001) was a Hungarian-born naturalized French painter, one of the vitally important artists in the Aime Maeght stable that included Chagall, Giacometti, Miro, Brach, Cesar, Ubac, and Tal-Coat. Fiedler's life and art was chronicled in many books and journals, including Collection de la Fondation Maeght, and several Maeght publications entitled simply Fiedler. After receiving a Masters in Fine Arts degree from the Academy of Budapest, he moved to Paris with his first wife in 1946. His wife died six months later, leaving him alone in a country where he barely spoke the language and had no friends. To make money, he made official copies of famous paintings for museums, as well some small figurative paintings of his own. He met his second wife, Claire, and they lived in a little house in the forest south of Paris. One day while looking at a pot of house paint, crackled by the sun and making such beautiful designs, he decided to reproduce this process on canvas. After this he never made any more figurative paintings, finding so many forms of expression in this new technique. During his long career, he was regularly featured in salon shows alongside his contemporaries mentioned above, and his works were a regular feature in the Maeght Foundation publication Derriere le Miroir.
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