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Lichtenstein, Roy

ROY LICHTENSTEIN M...Maybe, 1979

Regular price $2,500
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Rare first edition serigraph poster of M...Maybe, 1965, printed in 1979 in Tel Aviv, Israel, for an exhibition featuring works from The Tel Aviv Collection and The Ludwig Collection, Cologne.

The poster faithfully reproduces one of Roy Lichtenstein’s most iconic pop art paintings, featuring a distressed blonde woman in comic book style, accompanied by the text:

"M...Maybe he became ill and couldn't leave his studio!"

Below the image, the text reads:

"Roy Lichtenstein: M...Maybe, 1965."

At the bottom of the poster:

"1979 The Tel Aviv Collection and Ludwig Collection, Cologne. Printed in silkscreen from a painting titled M...Maybe. Produced by Limatis, printed in Israel by Shaul Zay Studio, designed by Varda Raz."

This first edition poster is highly scarce, distinguished by its silkscreen printing process, which enhances the depth and vibrancy of the colors. Unlike later reproductions, this original 1979 printing was produced in Israel, making it a rare and desirable piece for serious collectors of Lichtenstein’s work and pop art ephemera.

Details

Sku: AW1309

Artist: Roy Lichtenstein

Title: M...Maybe

Year: 1979

Signed: No

Medium: Serigraph

Edition Size: Unknown

Framed: No

Frame Suggestion: Inquire with our experts for framing suggestions.

Condition: A: Mint

Dimensions

Paper Size: 55 x 39.5 inches ( 140 x 100 cm )

Image Size: 33.5 x 33.5 inches ( 85 x 85 cm )

ROY LICHTENSTEIN M...Maybe, 1979

$2,500

About the Artist

Roy Lichtenstein

Roy Lichtenstein (1923–1997) was an American artist and one of the leading figures of Pop Art. He famously took the visual language of comic books—bold outlines, flat colors, and Ben-Day dots—and enlarged it into monumental paintings. By mimicking the look of commercial printing, his works deliberately resembled mass-produced cartoons. What made Lichtenstein’s approach radical was not just the source material, but how he treated it. Images meant to be glanced at and quickly consumed were isolated, slowed down, and placed on gallery walls as objects of serious contemplation. Through this transformation, he revealed how powerful emotions such as love, fear, and heroism could be reduced to simplified visual codes. In doing so, Lichtenstein challenged traditional ideas of originality, emotion, and high art, reshaping how modern audiences understand images in a media-saturated world.
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