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Ruscha, Edward

EDWARD RUSCHA HOPE, 2008, 2008

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Ed Ruscha’s *HOPE* turns a single, emotionally charged word into an image filled with ambiguity. The four capital letters stretch across the composition like the message on a roadside billboard, emerging through a grainy atmosphere of black, gray and muted blue.

Rather than presenting hope as something bright or reassuring, Ruscha allows the word to become increasingly obscured. The final letter nearly disappears into a dense cloud of darkness, creating tension between the optimism of the title and the unsettling image surrounding it. The work leaves the viewer to decide whether hope is fading away or stubbornly refusing to vanish.

Produced in 2008, this offset lithographic poster reproduces Ruscha’s original 1998 work on paper, now held jointly by Tate and the National Galleries of Scotland. With its cinematic horizontal format, restrained palette and instantly recognizable use of language, it is a powerful example of Ruscha’s ability to transform an ordinary word into something mysterious, emotional and visually arresting.

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Details

Sku: GH0862

Artist: Edward Ruscha

Title: HOPE, 2008

Year: 2008

Signed: No

Medium: Offset Lithograph

Edition Size: Unknown

Framed: No

Frame Suggestion: Inquire with our experts for framing suggestions.

Condition: A-: Near Mint, very light signs of handling

Dimensions

Paper Size: 19.75 x 27.5 inches ( 50 x 70 cm )

Image Size: 16.25 x 24.5 inches ( 41 x 62 cm )

EDWARD RUSCHA HOPE, 2008, 2008

$1,250

About the Artist

Edward Ruscha

Ed Ruscha (b. 1937) is an American artist associated with the pop art movement. He has worked in the media of painting, printmaking, drawing, photography, and film. Ruscha lives and works in Culver City, California. Ruscha was born into a Roman Catholic family in Omaha, Nebraska. Ruscha's mother was supportive of her son's early signs of artistic skill and interests. Young Ruscha was attracted to cartooning and would sustain this interest throughout his adolescent years. He moved to Los Angeles in 1956 where he studied at the Chouinard Art Institute (now known as the California Institute of the Arts). After graduation, Ruscha took a job as a layout artist for the Carson-Roberts Advertising Agency in Los Angeles. Ruscha achieved recognition for paintings incorporating words and phrases and for his many photographic books, all influenced by the deadpan irreverence of the Pop Art movement. His textual, flat paintings have been linked with both the Pop Art movement and the beat generation. While in school in 1957, Ruscha chanced upon then unknown Jasper Johns’ Target with Four Faces in the magazine Print and was greatly moved. Ruscha has credited these artists’ work as sources of inspiration for his change of interest from graphic arts to painting. He was also impacted by John McLaughlin's, H.C. Westermann, Arthur Dove’s 1925 painting Goin’ Fishin’, Alvin Lustig's cover illustrations for New Directions Press, and much of Marcel Duchamp’s work. In a 1961 tour of Europe, Ruscha came upon more works by Johns and Robert Rauschenberg. As with Andy Warhol and Roy Lichtenstein, his East Coast counterparts, Ed Ruscha's artistic training was rooted in commercial art. His interest in words and typography ultimately provided the primary subject of his paintings, prints and photographs. (Wikipedia)
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EDWARD RUSCHA HOPE, 2008, 2008
EDWARD RUSCHA HOPE, 2008, 2008