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Eggleston, William

WILLIAM EGGLESTON Los Alamos, 2014

Regular price $125
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This official reproduction exhibition poster was published by the Louisiana Museum of Modern Art in 2014 as a reissue of the museum's original 2004 Los Alamos exhibition poster. Produced by the museum itself, this authorized reproduction faithfully recreates the design of the original exhibition poster, featuring one of William Eggleston's most iconic photographs from his celebrated Los Alamos series.

Originally photographed between the mid-1960s and early 1970s, the Los Alamos series documents everyday life across the American South and Southwest with remarkable sensitivity to color, light, and composition. Eggleston's pioneering use of color photography helped redefine the medium, elevating it from commercial and documentary use to a respected form of fine art and influencing generations of photographers.

Featuring the original exhibition typography and striking imagery, this museum-issued reproduction is both an attractive display piece and a collectible for admirers of contemporary photography and museum exhibition graphics. It offers collectors the opportunity to own an authorized reproduction of one of the Louisiana Museum's most recognizable exhibition posters while celebrating the enduring legacy of William Eggleston's groundbreaking work.

Details

Sku: CB1897

Artist: William Eggleston

Title: Los Alamos

Year: 2014

Signed: No

Medium: Offset Lithograph

Edition Size: Unknown

Framed: No

Frame Suggestion: Inquire with our experts for framing suggestions.

Condition: A-: Near Mint, very light signs of handling

Dimensions

Paper Size: 23.5 x 35.5 inches ( 60 x 90 cm )

Image Size: 23.5 x 35.5 inches ( 60 x 90 cm )

WILLIAM EGGLESTON Los Alamos, 2014

$125

About the Artist

William Eggleston

William Eggleston (b. 1939) is an American photographer known for elevating color photography as a legitimate art form. Born in Memphis and raised in Mississippi, he was influenced by Robert Frank and Henri Cartier-Bresson. Working largely in isolation, Eggleston gained early recognition when MoMA curator John Szarkowski encountered his vivid color prints in 1969. Eggleston began teaching at Harvard in the early 1970s, where he discovered dye-transfer printing—a technique that brought extraordinary richness to his work. This process produced some of his most iconic images, including The Red Ceiling (1973), which he described as “like red blood that’s wet on the wall.”
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WILLIAM EGGLESTON Los Alamos, 2014
WILLIAM EGGLESTON Los Alamos, 2014