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Dubuffet, Jean

JEAN DUBUFFET Inspection of the Territory, 1974

Regular price $125
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Created for an exhibition titled The Hourloupe Cycle held at Pace Columbus in Ohio in the mid seventies. Jean Dubuffet is known for his non-painterly paintings. The Inspection of the territory is a good example of his work. It is a silk-screen on thick paper, plate signed lower left but not numbered.

The Inspection of the Territory is part of Jean Dubuffet’s Hourloupe cycle, created for an exhibition at Pace Columbus in Ohio in the mid-1970s. Known for his non-painterly approach, Dubuffet invites viewers to explore this abstract “territory” of interlocking shapes and patterns, blurring boundaries between reality and imagination. This silk-screen on thick paper is plate-signed in the lower left but not numbered, embodying Dubuffet’s vision of fragmented landscapes and unconventional forms.

Details

Sku: MI1241

Artist: Jean Dubuffet

Title: Inspection of the Territory

Year: 1974

Signed: No

Medium: Serigraph

Edition Size: 1000

Framed: No

Frame Suggestion: Inquire with our experts for framing suggestions.

Condition: A: Mint

Dimensions

Paper Size: 33.5 x 23.5 inches ( 85 x 60 cm )

Image Size: 26.75 x 19.5 inches ( 68 x 50 cm )

JEAN DUBUFFET Inspection of the Territory, 1974

$125

About the Artist

Jean Dubuffet

Jean Dubuffet (1901 – 1985) was a French painter and sculptor born in Le Havre. His idealistic approach embraced so called "low art" and eschewed traditional standards of beauty in favor of what he believed to be a more authentic and humanistic approach to image-making. He is perhaps best known for founding the art movement Art Brut, to describe art created outside the boundaries of official culture and the established art scene. He often experimented with mixing materials into his oil paint such as mud, sand, coal dust, pebbles, pieces of glass, string, straw, plaster, gravel, cement, and tar, allowing him to abandon the traditional method of painting with a brush in favor of a more physical and dynamic approach. Dubuffet felt that the simple life of the everyday human being contained more art and poetry than did academic art.
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