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Tatafiore, Ernesto

ERNESTO TATAFIORE Ulysses, 1974 - Signed

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Ulysses by Ernesto Tatafiore is a vibrant and conceptually rich print executed using a combination of color aquatint, etching, and screen-print techniques. Printed by the renowned 3K Workshop in Rome, this work is part of Tatafiore’s portfolio 5 Vendicante. This particular impression is initialed in pencil by the artist and not numbered, suggesting it is likely an artist's proof—a rare and desirable variant traditionally reserved for the artist's own collection or close associates.

In Ulysses, Tatafiore draws upon his recurring themes of myth, politics, and psychoanalysis, merging classical iconography with modern aesthetics. His stylized approach, often steeped in metaphor and symbolism, is here rendered in a multi-process intaglio format that enhances both texture and color. The use of aquatint and screen-printing lends the piece a dynamic surface and visual rhythm, while the etching underscores his precision and intellectual rigor.

A compelling example of Tatafiore’s multidisciplinary engagement with historical narrative and form, Ulysses reflects the artist's deep interest in figures from antiquity reimagined through a contemporary lens.

Details

Sku: YY2193-B

Artist: Ernesto Tatafiore

Title: Ulysses

Year: 1974

Signed: Yes

Medium: Etching

Edition Size: 60

Framed: No

Frame Suggestion: Inquire with our experts for framing suggestions.

Condition: A-: Near Mint, very light signs of handling

Dimensions

Paper Size: 27.5 x 20 inches ( 70 x 51 cm )

Image Size: 19.5 x 15.5 inches ( 50 x 39 cm )

ERNESTO TATAFIORE Ulysses, 1974 - Signed

$700

About the Artist

Ernesto Tatafiore

Ernesto Tatafiore (b. 1943, Naples) is an Italian contemporary artist whose career spans more than five decades and embraces painting, printmaking, sculpture, and mixed-media assemblage. Originally trained in medicine with a specialization in psychiatry, Tatafiore ultimately dedicated himself to art, developing a practice that combines intellectual rigor with playful visual invention. He first came to public attention in 1969 with a solo exhibition at Lucio Amelio’s influential gallery in Naples, a space that also championed figures such as Warhol, Beuys, and Rauschenberg. Tatafiore’s work resists strict categorization but has long been associated with themes of history, politics, and myth. He often revisits the imagery of the French Revolution, casting its ideals, contradictions, and allegories into colorful compositions that blend figuration, abstraction, and symbolism. Across etchings, aquatints, lithographs, collages, and hand-painted works, he develops a visual language that is both erudite and whimsical—balancing irony with cultural commentary. Throughout his career, Tatafiore has exhibited internationally, with appearances at the Venice Biennale (1970, 1980, 1990) and solo shows across Europe and the United States. His art is represented in major collections and has been presented in institutions ranging from Naples to Vienna and New York. For collectors, Tatafiore’s posters and limited-edition prints hold particular appeal. Produced with high-quality printers and often in small runs, these works demonstrate his inventive use of graphic media and remain accessible compared to unique paintings or sculptures. Many of his editions are signed, numbered, or specially annotated, adding to their desirability. Over time, such pieces—especially those tied to landmark exhibitions—have gained recognition as both historical documents and valuable works of postwar Italian art.
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