NORMAN CATHERINE There's No Sugar Left, 1981 - Signed

Signed and numbered in pencil from an edition of 150.

This powerful and visually arresting poster by Norman Catherine, one of South Africa’s most distinctive contemporary artists, was created for the theatrical production There’s No Sugar Left, a play by Natalie Knight directed by Benjy Francis.

The composition features a striking profile of a blindfolded figure, rendered with Catherine’s characteristic blend of graphic precision and emotional intensity. The vivid red blindfold contrasts sharply against the monochrome figure and chain-link background, evoking themes of restriction, identity, and social tension. The image resonates with the political and cultural climate of early 1980s South Africa, where issues of visibility, control, and resistance were deeply felt.

Catherine’s work is known for its bold imagery and psychological depth, often addressing complex societal themes through a highly stylized visual language. Here, the fusion of fine art and theatrical poster design results in a composition that is both visually compelling and conceptually charged.

Hand signed and numbered in pencil from a limited edition of 150, this example carries strong collector appeal, particularly given the artist’s international recognition and the historical context of the work.

A rare and impactful piece, appealing to collectors of contemporary African art, political imagery, and important graphic works from the late 20th century.

Framing available upon request.