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Dinkin, Larry

LARRY DINKIN Stage Setting for the Opera Blue Note, 2003 - Signed

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Regular price $2,500
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This limited edition serigraph titled Interior Stage for the Opera Blue Note is part of the Paintings to Silkscreens series by Larry Dinkin, created in 2003. In this vibrant piece, Dinkin evokes a Grand Bazaar theme, inviting viewers to visually navigate through a bustling Istanbul bazaar. The print features 46 colors and is expertly printed on Coventry Rag, a 100% cotton paper that is neutral pH and weighs 335 grams, ensuring its quality and longevity. Produced by Fine Art Printing in Long Island City, NY, this artwork is part of an edition limited to 160 copies. Each print measures 42.5 x 47 inches, with an image size of 35 x 40 1/4 inches.

Larry Dinkin is renowned for his innovative approach to color and composition, often blending abstract and representational elements to create immersive experiences. Interior Stage for the Opera Blue Note exemplifies his artistic vision and ability to transport viewers into richly imagined environments, making it a remarkable addition for collectors and enthusiasts of contemporary art.

Details

Sku: AW2102-B

Artist: Larry Dinkin

Title: Stage Setting for the Opera Blue Note

Year: 2003

Signed: Yes

Medium: Serigraph

Edition Size: 150

Framed: No

Frame Suggestion: Inquire with our experts for framing suggestions.

Condition: A: Mint

Dimensions

Paper Size: 42.5 x 47 inches ( 108 x 119 cm )

Image Size: 35 x 40.25 inches ( 89 x 102 cm )

LARRY DINKIN Stage Setting for the Opera Blue Note, 2003 - Signed

$2,500

About the Artist

Larry Dinkin

Larry Dinkin was born in Brooklyn, New York, in 1943. He's images depict a personal universe-distilled landscapes bound only by their own reality. They strive for the flickering ambiguity of paint to dreamy vision, held fast within a structure that is both descriptive and dimensional. Dinkin has exhibited and published widely. His solo show Painting to Silkscreen was hosted at the Lyman Allyn Art Museum in 2007. His works appear in permanent collections and are represented by institutions like the Dayton Art Institute. These credentials—including museum shows, published projects, and consistent recognition—clearly position Larry Dinkin as a mature, well‑regarded artist rather than an emerging one.
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