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Lichtenstein, Roy

ROY LICHTENSTEIN Cow Going Abstract, 1985

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Regular price $400
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This vibrant and dynamic print exemplifies Lichtenstein's iconic Pop Art style. Published by Plura Edizioni in Milano, Italy, in 1985, this piece is part of the original edition, distinguishing it from unauthorized third-party versions that lack quality and hold no value—buyers should beware of such copies.

The artwork is presented as a triptych, allowing Lichtenstein to explore abstraction in a sequential manner. The central theme is a cow, which undergoes a transformation across the three panels, gradually becoming more abstract. This progression showcases Lichtenstein's playful yet thoughtful approach to art, blending humor with a critique of the abstraction process. This authentic print is a valuable collectible for any serious art enthusiast.

Details

Sku: YY9646

Artist: Roy Lichtenstein

Title: Cow Going Abstract

Year: 1985

Signed: No

Medium: Offset Lithograph

Edition Size: Unknown

Framed: No

Frame Suggestion: Inquire with our experts for framing suggestions.

Condition: A: Mint

Supplemental Condition Information: Light corner skinning. Creases lower right hand side

Dimensions

Paper Size: 13.25 x 39.25 inches ( 34 x 100 cm )

Image Size: 10.5 x 38.25 inches ( 27 x 97 cm )

ROY LICHTENSTEIN Cow Going Abstract, 1985

$400

About the Artist

Roy Lichtenstein

Roy Lichtenstein (1923–1997) was an American artist and one of the leading figures of Pop Art. He famously took the visual language of comic books—bold outlines, flat colors, and Ben-Day dots—and enlarged it into monumental paintings. By mimicking the look of commercial printing, his works deliberately resembled mass-produced cartoons. What made Lichtenstein’s approach radical was not just the source material, but how he treated it. Images meant to be glanced at and quickly consumed were isolated, slowed down, and placed on gallery walls as objects of serious contemplation. Through this transformation, he revealed how powerful emotions such as love, fear, and heroism could be reduced to simplified visual codes. In doing so, Lichtenstein challenged traditional ideas of originality, emotion, and high art, reshaping how modern audiences understand images in a media-saturated world.
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