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Lichtenstein, Roy

ROY LICHTENSTEIN White Brushstroke #1, 1992

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Regular price $250
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This vintage blank postcard features White Brushstroke #1 by Roy Lichtenstein, drawn from his iconic Brushstroke series—one of the artist’s most celebrated explorations of painting, gesture, and representation. Published by VG Bild-Kunst, Bonn in 1992 and printed in Germany, this early reproduction captures the essence of Lichtenstein’s bold and conceptually driven approach.

In this work, Lichtenstein transforms the spontaneous, expressive gesture of Abstract Expressionism into a controlled, graphic image. The sweeping brushstroke—rendered with crisp black outlines and flat color—becomes both subject and commentary, reflecting the artist’s ongoing dialogue between high art and mass reproduction.

The composition is at once dynamic and precise, embodying Lichtenstein’s signature ability to reinterpret painterly tradition through the visual language of Pop Art. The result is a work that is both visually striking and intellectually engaging.

Elegantly presented in a contemporary black wood frame with a wide mat, the piece achieves a refined, museum-style presentation that enhances its graphic clarity and presence.

A rare and highly collectible work, ideal for serious collectors of Roy Lichtenstein, Pop Art, and significant modern art imagery.

Framing available upon request.

Details

Sku: GH0067

Artist: Roy Lichtenstein

Title: White Brushstroke #1

Year: 1992

Signed: No

Medium: Offset Lithograph

Edition Size: Unknown

Framed: Yes

Condition: A: Mint

Dimensions

Paper Size: 4.25 x 6 inches ( 11 x 15 cm )

Image Size: 3.75 x 4.5 inches ( 10 x 11 cm )

Frame Size: H: 13.25 x W: 15.25 x D: .75 in.

ROY LICHTENSTEIN White Brushstroke #1, 1992

$250

About the Artist

Roy Lichtenstein

Roy Lichtenstein (1923–1997) was an American artist and one of the leading figures of Pop Art. He famously took the visual language of comic books—bold outlines, flat colors, and Ben-Day dots—and enlarged it into monumental paintings. By mimicking the look of commercial printing, his works deliberately resembled mass-produced cartoons. What made Lichtenstein’s approach radical was not just the source material, but how he treated it. Images meant to be glanced at and quickly consumed were isolated, slowed down, and placed on gallery walls as objects of serious contemplation. Through this transformation, he revealed how powerful emotions such as love, fear, and heroism could be reduced to simplified visual codes. In doing so, Lichtenstein challenged traditional ideas of originality, emotion, and high art, reshaping how modern audiences understand images in a media-saturated world.
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