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Lichtenstein, Roy

ROY LICHTENSTEIN Girl and Spray Can, 2013

Regular price $125
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This official exhibition poster, featuring a reproduction of Girl and Spray Can (detail) from Lichtenstein’s iconic 1¢ Life portfolio (1964), was created for a 2013 retrospective at the National Gallery of Australia (NGA). The exhibition celebrated the legendary Pop artist, showcasing his entire Reflections series alongside other notable works, including Reflections on Minerva and Reflections on Crash.

The 1¢ Life portfolio is a landmark in 20th-century printmaking, combining poetry with striking imagery from Lichtenstein and other avant-garde artists of the era. Girl and Spray Can epitomizes Lichtenstein’s bold graphic style, blending his signature Ben-Day dots and comic-book-inspired motifs with social commentary.

Details

Sku: CB0609

Artist: Roy Lichtenstein

Title: Girl and Spray Can

Year: 2013

Signed: No

Medium: Offset Lithograph

Edition Size: 500

Framed: No

Frame Suggestion: Inquire with our experts for framing suggestions.

Condition: A: Mint

Dimensions

Paper Size: 23.25 x 29 inches ( 59 x 74 cm )

Image Size: 16.25 x 27.25 inches ( 41 x 69 cm )

ROY LICHTENSTEIN Girl and Spray Can, 2013

$125

About the Artist

Roy Lichtenstein

Roy Lichtenstein (1923–1997) was an American artist and one of the leading figures of Pop Art. He famously took the visual language of comic books—bold outlines, flat colors, and Ben-Day dots—and enlarged it into monumental paintings. By mimicking the look of commercial printing, his works deliberately resembled mass-produced cartoons. What made Lichtenstein’s approach radical was not just the source material, but how he treated it. Images meant to be glanced at and quickly consumed were isolated, slowed down, and placed on gallery walls as objects of serious contemplation. Through this transformation, he revealed how powerful emotions such as love, fear, and heroism could be reduced to simplified visual codes. In doing so, Lichtenstein challenged traditional ideas of originality, emotion, and high art, reshaping how modern audiences understand images in a media-saturated world.
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