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Lichtenstein, Roy

ROY LICHTENSTEIN That My Ship Was Below Them (Panel 3), 1997

Regular price $350
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This offset lithograph in red, yellow, blue, and black on white wove paper is the far-right image from Lichtenstein's "As I Opened Fire" triptych. Published by the Stedelijk Museum, Amsterdam, and printed by Drukkerij Luii & Co., this piece reproduces the 1964 painting in the museum's collection. Referenced on page 292 (#App.5) of "The Prints of Roy Lichtenstein," this is only panel 3 of the triptych and not the full set of 3 panels. Buyers and collectors should beware of numerous unauthorized reproductions of this image that lack quality and have no value. This authentic lithograph is a valuable addition for collectors, reflecting Lichtenstein’s impact on contemporary art.

Details

Sku: AW1114-3

Artist: Roy Lichtenstein

Title: That My Ship Was Below Them (Panel 3)

Year: 1997

Signed: No

Medium: Offset Lithograph

Edition Size: Unknown

Framed: No

Frame Suggestion: Inquire with our experts for framing suggestions.

Condition: A: Mint

Dimensions

Paper Size: 25 x 20 inches ( 64 x 51 cm )

Image Size: 23.75 x 19.5 inches ( 60 x 50 cm )

ROY LICHTENSTEIN That My Ship Was Below Them (Panel 3), 1997

$350

About the Artist

Roy Lichtenstein

Roy Lichtenstein (1923–1997) was an American artist and one of the leading figures of Pop Art. He famously took the visual language of comic books—bold outlines, flat colors, and Ben-Day dots—and enlarged it into monumental paintings. By mimicking the look of commercial printing, his works deliberately resembled mass-produced cartoons. What made Lichtenstein’s approach radical was not just the source material, but how he treated it. Images meant to be glanced at and quickly consumed were isolated, slowed down, and placed on gallery walls as objects of serious contemplation. Through this transformation, he revealed how powerful emotions such as love, fear, and heroism could be reduced to simplified visual codes. In doing so, Lichtenstein challenged traditional ideas of originality, emotion, and high art, reshaping how modern audiences understand images in a media-saturated world.
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