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Wesselmann, Tom

TOM WESSELMANN Fruit plate from One Cent Life Portfolio, 1964

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Regular price $450
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"One Cent Life" is a renowned art portfolio and artist's book that was published in 1964 by artist Walasse Ting in collaboration with artist Sam Francis. This unbound book is notable for its collection of 62 original lithographs by 28 prominent artists, encapsulating the avant-garde art movements of the time, particularly Abstract Expressionism and Pop Art​.

The reference to the "missing adjoining half" likely pertains to the fact that "One Cent Life" was designed to be an unbound book, where pages could be displayed individually. In some cases, this has led to the separation of pages that were originally intended to be viewed together, thereby missing one of the halves of a double-page spread. This can affect the visual and contextual integrity of the artwork, as the original compositions often depended on the juxtaposition and dialogue between the pages​

Details

Sku: YY3047

Artist: Tom Wesselmann

Title: Fruit plate from One Cent Life Portfolio

Year: 1964

Signed: No

Medium: Lithograph

Edition Size: Unknown

Framed: No

Frame Suggestion: Inquire with our experts for framing suggestions.

Condition: A-: Near Mint, very light signs of handling

Dimensions

Paper Size: 16.25 x 11.5 inches ( 41 x 29 cm )

Image Size: 12.75 x 11 inches ( 32 x 28 cm )

TOM WESSELMANN Fruit plate from One Cent Life Portfolio, 1964

$450

About the Artist

Tom Wesselmann

Tom Wesselmann (1931–2004) was an American Pop artist known for his work in painting, collage, and sculpture. He gained recognition with his *Great American Nude* series (begun in 1961), which explored themes of sensuality and sexuality. Although he worked independently from contemporaries like Warhol and Lichtenstein, his art helped define the Pop Art movement, though he resisted being labeled within it. Wesselmann's work often featured iconic imagery—cigarettes, lipstick, jewelry—while experimenting with perspective and flattened space. His creative practice extended to assemblage, collage, shaped canvases, and combination sculpture-paintings. In the 1980s, his use of negative space evolved, particularly in his *Drop-Out* series.
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