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Summers, Carol

CAROL SUMMERS Cultural Showcase, 1967

Regular price $350
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This rare and visually striking silkscreen poster by Carol Summers was created in 1967 for the Cultural Showcase, published by LIST ART during a pivotal moment in American graphic and contemporary art. Recognized for his innovative printmaking techniques and bold use of color, Summers became one of the leading figures of postwar American abstraction, particularly associated with the resurgence of woodcut and large-scale color printmaking during the 1960s.

The composition exemplifies the vibrant visual energy of the era. Monumental concentric arcs in saturated orange, red, yellow, and cream rise dramatically across the surface, creating a powerful sense of movement and spatial rhythm. Above, the bold typographic treatment of Cultural Showcase integrates seamlessly into the composition, reflecting the era’s fascination with the merging of graphic design and fine art.

Executed as a silkscreen, the poster possesses the flat yet intensely luminous color fields characteristic of high-quality screenprinting from the late 1960s. The work strongly reflects the visual language of psychedelic-era design and hard-edge abstraction while remaining firmly grounded in modernist compositional clarity.

Particularly noteworthy is the blind stamp in the lower left corner reading Chiron Press New York, linking the work to one of the most respected experimental print studios of the period. Chiron Press collaborated with numerous important artists and played a significant role in advancing contemporary printmaking in New York during the 1960s and 1970s.

As a first-release exhibition poster from the pre-digital poster era, the work carries both artistic and historical importance, representing a moment when screenprinted exhibition graphics became collectible works in their own right.

Please note: the silkscreen exhibits creases throughout, consistent with age and handling, which should be considered part of its vintage character. Additional images are available upon request.

A rare and highly decorative work, appealing to collectors of 1960s graphic design, psychedelic-era aesthetics, American abstraction, and important exhibition posters.

Framing available upon request.

Details

Sku: XX1263

Artist: Carol Summers

Title: Cultural Showcase

Year: 1967

Signed: No

Medium: Serigraph

Edition Size: Unknown

Framed: No

Frame Suggestion: Inquire with our experts for framing suggestions.

Condition: B-: Good Condition, Signs of Handling and Age

Dimensions

Paper Size: 45 x 30 inches ( 114 x 76 cm )

Image Size: 45 x 30 inches ( 114 x 76 cm )

CAROL SUMMERS Cultural Showcase, 1967

$350

About the Artist

Carol Summers

Carol Summers (1925 - 2016) was widely known as one of America's foremost printmakers, creating works by woodcut process. Summers is renowned for his vivid colors and the revolutionary woodblock techniques he introduced in the 1960s. In the course of printing he frequently used solvents to transform the pigments into dyes which then tend to penetrate the paper and result in a watercolor effect. This allows for rich colors and soft blurred edges. His work is known for its big, bold, beautiful forms and joyous colors. Summers creates his woodcuts by hand, usually from one or more blocks of quarter-inch pine, using oil-based printing inks and porous mulberry papers. His woodcuts reveal a sensitivity to wood, especially its absorptive qualities and the subtleties of the grain. In several of his woodcuts throughout his career he has used the undulating, grainy patterns of a large wood plank to portray a flowing river or tumbling waterfall. Summers was born in Kingston, New York, a small town near Woodstock where Summers was raised. His parents were both artists who had met in art school in St. Louis. During the Great Depression, when Carol was growing up, his father supported the family as a medical illustrator until he could return to painting. His mother was a watercolorist and also quite knowledgeable about the different kinds of papers used for various kinds of painting. Many years later, Summers would paint or print on thinly textured paper originally collected by his mother. He received a Bachelor of Arts degree from Bard College in 1951, studying with Stefen Hirsch and Louis Schanker. Summers's work is part of the permanent collection of the Art Institute of Chicago, the Brooklyn Museum, the Museum of Modern Art in New York City and the National Gallery of Art in Washington, DC. In addition to his art, Summers had a career as a teacher, serving as an instructor at Hunter College, the Brooklyn Museum School, Pratt Graphics Center, and Columbia University.
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