Access Denied
Access Denied

The site owner may have set restrictions that prevent you from accessing the site. Please contact the site owner for access.

Protected by 
MIDA Logo  MIDA

It’s Getting Hot: 26% Off with STARTTHESUMMER

Cart 0

Sorry, looks like we don't have enough of this product.

Pair with
Add order notes
Subtotal Free
Shipping, taxes, and discount codes are calculated at checkout

Lichtenstein, Roy

ROY LICHTENSTEIN Study For Preparedness, 1989

Regular price $125
Shipping calculated at checkout.

This reproduction serigraph of Study for Preparedness by Roy Lichtenstein captures the artist's signature comic book-inspired style and bold imagery. Originally painted in 1968, the work reflects Lichtenstein's commentary on American militarism and propaganda during the Cold War era.

By employing his characteristic Ben-Day dots, vibrant colors, and simplified forms, Lichtenstein transforms a serious subject into a parody of wartime readiness, blending critique with the aesthetic of mass culture. The piece highlights themes of power, patriotism, and the intersection of art and commercial imagery, making it a striking example of Pop Art's ability to recontextualize societal issues.

Buyers should beware of unauthorized copies of the same image that lack quality and hold no value. This official edition is a valuable collectible for any art enthusiast.

Details

Sku: NR104

Artist: Roy Lichtenstein

Title: Study For Preparedness

Year: 1989

Signed: No

Medium: Serigraph

Edition Size: 5000

Framed: No

Frame Suggestion: Inquire with our experts for framing suggestions.

Condition: A: Mint

Dimensions

Paper Size: 27.5 x 35.5 inches ( 70 x 90 cm )

Image Size: 17 x 30.25 inches ( 43 x 77 cm )

ROY LICHTENSTEIN Study For Preparedness, 1989

$125

About the Artist

Roy Lichtenstein

Roy Lichtenstein (1923–1997) was an American artist and one of the leading figures of Pop Art. He famously took the visual language of comic books—bold outlines, flat colors, and Ben-Day dots—and enlarged it into monumental paintings. By mimicking the look of commercial printing, his works deliberately resembled mass-produced cartoons. What made Lichtenstein’s approach radical was not just the source material, but how he treated it. Images meant to be glanced at and quickly consumed were isolated, slowed down, and placed on gallery walls as objects of serious contemplation. Through this transformation, he revealed how powerful emotions such as love, fear, and heroism could be reduced to simplified visual codes. In doing so, Lichtenstein challenged traditional ideas of originality, emotion, and high art, reshaping how modern audiences understand images in a media-saturated world.
×

Please wait...

Make an Offer

Descriptive image text
Descriptive image text