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D'Arcangelo, Allan

ALLAN D'ARCANGELO Lincoln Center Festival, 1968

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Regular price $1,500
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This is a first-edition serigraph poster designed by Allan D’Arcangelo for the 1968 Lincoln Center Festival in New York, one of the cultural highlights of the city's annual art calendar. Limited to 500 printed copies, this poster is an iconic representation of D’Arcangelo’s unique fusion of minimalist design, abstract forms, and Pop Art sensibilities. The poster is fully referenced on pages 40 and 41 of the Lincoln Center Posters book, cementing its place in the collection of landmark cultural designs.

D’Arcangelo’s design for this poster reflects his broader artistic vision, blending graphic simplicity with bold, symbolic elements to create a powerful visual message. At the heart of the poster is his signature use of geometric abstraction and clean, precise lines, echoing his fascination with American highways, road signs, and urban iconography. His work often explores themes of movement, direction, and the relationship between people and their environment—and this poster is no exception.

Details

Sku: CB2106

Artist: Allan D'Arcangelo

Title: Lincoln Center Festival

Year: 1968

Signed: No

Medium: Serigraph

Edition Size: 500

Framed: No

Frame Suggestion: Inquire with our experts for framing suggestions.

Condition: C: Several Signs of use and handling, some visible marks

Supplemental Condition Information: Heavy scuffing throughout, multiple small paper breaks throughout ink and one severe break the entire width of the print.

Dimensions

Paper Size: 45 x 29.5 inches ( 114 x 75 cm )

Image Size: 45 x 29.5 inches ( 114 x 75 cm )

ALLAN D'ARCANGELO Lincoln Center Festival, 1968

$1,500

About the Artist

Allan D'Arcangelo

Allan D'Arcangelo (1930 - 1998) was an American artist and printmaker, best known for his paintings of highways and road signs that border on pop art and minimalism, precisionism and hard-edge painting, and also surrealism. His subject matter is distinctly American and evokes, at times, a cautious outlook on the future of this country. Allan D'Arcangelo was the son of Italian immigrants. He studied at the University of Buffalo from 1948–1953, where he got his bachelor's degree in history. After college, he moved to Manhattan and picked up his studies again at the New School of Social Research and the City University of New York, City College. At this time, he encountered Abstract Expressionist painters who were in vogue at the moment. After joining the army in the mid 1950s, he used the GI Bill to study painting at Mexico City College from 1957–59. He returned to New York in 1959, in search of the unique American experience. It was at this time that his painting took on a cool sensibility reminiscent of Roy Lichtenstein and Andy Warhol. However, throughout his life, D'Arcangelo remained politically active-and this is evident in his painting, though not necessarily in an overt way. His interests engaged with the environment, anti-Vietnam War protests, and the commodification and objectification of female sexuality. Through his painting and writings, it is clear that D'Arcangelo had a palpable discomfort with the social mores of his time, which can be read in the detached treatment with which he treated his subjects.
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