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Rauschenberg, Robert

ROBERT RAUSCHENBERG Art Institute of Chicago, 1976

Regular price $700
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This first edition exhibition poster was created in 1976 to promote a major retrospective of Robert Rauschenberg’s work, organized by the National Collection of Fine Arts (now part of the Smithsonian American Art Museum) in Washington, D.C. The retrospective was made possible through the mutual sponsorship of the National Endowment for the Arts (a U.S. federal agency), the Museum of Modern Art in New York City, the San Francisco Museum of Art, the Albright-Knox Art Gallery in Buffalo, NY, and the Art Institute of Chicago.

Published by Telamon Editions Limited and copyrighted in 1976, the poster is a significant piece of Rauschenberg ephemera that captures the energy and influence of his mid-career period. It is officially catalogued as Number 6 in the definitive reference book Rauschenberg: Posters.

Bold, experimental, and visually layered, the poster reflects the spirit of Rauschenberg’s work—his embrace of mixed media, found imagery, and the fusion of high and low culture. It stands as both a collectible artifact and a testament to the widespread institutional recognition of Rauschenberg’s impact on American art.

Details

Sku: CB0462

Artist: Robert Rauschenberg

Title: Art Institute of Chicago

Year: 1976

Signed: No

Medium: Offset Lithograph

Edition Size: Unknown

Framed: No

Frame Suggestion: Inquire with our experts for framing suggestions.

Condition: A-: Near Mint, very light signs of handling

Dimensions

Paper Size: 45.5 x 29.5 inches ( 116 x 75 cm )

Image Size: 45.5 x 29.5 inches ( 116 x 75 cm )

ROBERT RAUSCHENBERG Art Institute of Chicago, 1976

$700

About the Artist

Robert Rauschenberg

Milton Ernest "Robert" Rauschenberg (1925–2008) was an American painter and graphic artist known for his innovative, collage-like works that anticipated pop art. He layered images using various mediums and pioneered the use of silkscreen printing in fine art. Rauschenberg studied at the Kansas City Art Institute, the Académie Julian in Paris, and Black Mountain College, where he was influenced—often in opposition—by Josef Albers’ disciplined teaching. Often associated with Neo-Dadaism alongside Jasper Johns, Rauschenberg aimed to blur the line "between art and life."
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