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Mapplethorpe, Robert

ROBERT MAPPLETHORPE Sin Titulo (Milton Moore), 1991

Regular price $350
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This is an original exhibition poster for Galeria Alexander Weber y Cobo in Spain, featuring the controversial and erotic photograph of Milton Moore by Robert Mapplethorpe. The poster depicts a shaded view of the man's private part at rest, showcasing Mapplethorpe's provocative and boundary-pushing style. The photograph of Milton Moore is one of Mapplethorpe's most provocative images, highlighting his fearless approach to art and his ability to capture raw, intimate moments.

Details

Sku: YY2364

Artist: Robert Mapplethorpe

Title: Sin Titulo (Milton Moore)

Year: 1991

Signed: No

Medium: Offset Lithograph

Edition Size: Unknown

Framed: No

Frame Suggestion: Inquire with our experts for framing suggestions.

Condition: A: Mint

Supplemental Condition Information: Some dents throughout poster

Dimensions

Paper Size: 31.5 x 26.75 inches ( 80 x 68 cm )

Image Size: 24.75 x 24.75 inches ( 63 x 63 cm )

ROBERT MAPPLETHORPE Sin Titulo (Milton Moore), 1991

$350

About the Artist

Robert Mapplethorpe

Robert Mapplethorpe (1946 – 1989) was an American photographer, known for his sensitive yet blunt treatment of controversial subject-matter in the large-scale, highly stylized black and white medium of photography. His work featured an array of subjects, including celebrity portraits, male and female nudes, self-portraits and still-life images of flowers. His most controversial work is that of the underground BDSM scene in the late 1960s and early 1970s of New York City. The homoeroticism of this work fuelled a national debate over the public funding of controversial artwork. His photography of flowers shows his remarkable mastery of the nuances of light, both with the camera itself and also in the darkroom. Patti Smith was a longtime roommate and close friend of Mapplethorpe and a frequent subject in his photography, including a stark, iconic photograph that appears on the cover of Smith's first album, Horses. "Robert took areas of dark human consent and made them into art. He worked without apology, investing the homosexual with grandeur, masculinity, and enviable nobility. Without affectation, he created a presence that was wholly male without sacrificing feminine grace. He was not looking to make a political statement or an announcement of his evolving sexual persuasion. He was presenting something new, something not seen or explored as he saw and explored it. Robert sought to elevate aspects of male experience, to imbue homosexuality with mysticism. As Cocteau said of a Genet poem, 'His obscenity is never obscene.' " — Patti Smith, Just Kids
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