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Albers, Josef

JOSEF ALBERS The 10th New York Film Festival, 1972 - Signed

Regular price $2,500
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This limited edition print, created by the renowned artist Josef Albers in 1972, was designed to advertise the 10th New York Film Festival. The print is part of an exclusive edition of 144, each signed and numbered in pencil by Albers, underscoring its rarity and collectible value. In addition to these signed and numbered prints, 200 unsigned posters were also produced.

Albers, a pivotal figure in modern art known for his work in color theory and geometric abstraction, brings his distinctive style to this piece. The design features Albers’ characteristic use of bold, interlocking shapes and a harmonious color palette, capturing the essence of the Film Festival's dynamic and vibrant spirit.

The print is referenced on pages 30-31 of the Lincoln Center Posters book, highlighting its significance within the collection of posters created for the Lincoln Center. This documentation further cements the print's status as an important work within Albers’ oeuvre and its cultural significance related to the New York Film Festival.

As a signed and numbered limited edition, this print holds significant value for collectors and art enthusiasts. It not only showcases Josef Albers’ exceptional skill and distinctive aesthetic but also serves as a piece of history, commemorating a milestone event in the world of film.

Details

Sku: LC1082-B

Artist: Josef Albers

Title: The 10th New York Film Festival

Year: 1972

Signed: Yes

Medium: Serigraph

Edition Size: 144

Framed: No

Frame Suggestion: Inquire with our experts for framing suggestions.

Condition: A: Mint

Dimensions

Paper Size: 50 x 26 inches ( 127 x 66 cm )

Image Size: 50 x 26 inches ( 127 x 66 cm )

JOSEF ALBERS The 10th New York Film Festival, 1972 - Signed

$2,500

About the Artist

Josef Albers

Josef Albers (1888- 1976) was a German-born American artist and educator. He was taught for 10 years at the famous Bauhaus at Weimar, Dessau and Berlin. Accomplished as a designer, photographer, typographer, printmaker, and poet, Albers is best remembered for his work as an abstract painter and theorist, and is famous for his work with color and squares. In 1933 he was invited to teach at Black Mountain College, in North Carolina, where his students included Ruth Asawa, Ray Johnson, Robert Rauschenberg, Cy Twombly and Susan Weil. He also invited important American artists such as Willem de Kooning to teach in the summer seminar. In 1963, he published one of his most defining works titled "Interaction of Color" which presented his theory that colors were governed by an internal and deceptive logic. The very rare first edition has a limited printing of only 2,000 copies and contained 150 silk screen plates. This work has been republished since and is now even available as a cell phone app. He was known to meticulously list the specific manufacturer's colors and varnishes he used on the back of his works, as if the colors were catalogued components of an optical experiment. Robert Rauschenberg was known to have identified Albers as his most important teacher.
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