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Richter, Gerhard

GERHARD RICHTER Two Candles, 1995

Regular price $75
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This original museum poster titled Two Candles was created for the Fast Forward exhibition at the Dallas Art Museum in 1995. The artwork featured on the poster is Two Candles, which was originally painted by Richter in 1982.

Two Candles is part of Richter's Still Life series, where he explores themes of simplicity and symbolism. The painting depicts a pair of lit candles, rendered with Richter’s signature blurred technique, which imbues the scene with a sense of ethereal calmness and introspection. This work reflects Richter’s exploration of perception and the transient nature of light and life. By presenting these everyday objects with a blurred, almost ghostly quality, Richter invites viewers to contemplate the fleeting and often overlooked aspects of ordinary life.

Details

Sku: CB1672

Artist: Gerhard Richter

Title: Two Candles

Year: 1995

Signed: No

Medium: Offset Lithograph

Edition Size: 1000

Framed: No

Frame Suggestion: Inquire with our experts for framing suggestions.

Condition: A: Mint

Dimensions

Paper Size: 24 x 29.75 inches ( 61 x 76 cm )

Image Size: 18.25 x 23.5 inches ( 46 x 60 cm )

GERHARD RICHTER Two Candles, 1995

$75

About the Artist

Gerhard Richter

Gerhard Richter (b. 1932) is a German visual artist. Richter has produced abstract as well as photorealistic paintings, and also photographs and glass pieces. His art follows the examples of Picasso and Jean Arp in undermining the concept of the artist's obligation to maintain a single cohesive style. Nearly all of Richter's work demonstrates both illusionistic space that seems natural and the physical activity and material of painting—as mutual interferences. For Richter, reality is the combination of new attempts to understand—to represent; in his case, to paint—the world surrounding us. “Since there is no such thing as absolute rightness and truth, we always pursue the artificial, leading, human truth. We judge and make a truth that excludes other truths. Art plays a formative part in this manufacture of truth.”
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