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Richter, Gerhard

GERHARD RICHTER Seascape (No Text), 1991

Regular price $175
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This reproduction of Seascape by Gerhard Richter, published by Achenbach Art Editions in 1991, captures a serene maritime scene characterized by Richter's signature blurred effect. The painting, originally created in 1969, reflects his exploration of abstract representation through the lens of photorealism. By employing a technique that distorts the clarity of the seascape, Richter invites viewers to engage with the painting's atmospheric qualities and interpret its emotional resonance beyond mere visual accuracy.

Original posters by Gerhard Richter are highly valued due to his significant contributions to contemporary art, including his innovative use of abstract and photorealistic techniques. Richter's posters, often produced in limited editions, are prized for their rarity and the way they capture pivotal moments in his career. High-quality reproductions, especially those sanctioned by the artist or their estate, enhance their desirability.

Details

Sku: CB0859

Artist: Gerhard Richter

Title: Seascape (No Text)

Year: 1991

Signed: No

Medium: Bookmark

Edition Size: 200

Framed: No

Frame Suggestion: Inquire with our experts for framing suggestions.

Condition: A: Mint

Dimensions

Paper Size: 35.25 x 27.5 inches ( 90 x 70 cm )

Image Size: 21.25 x 21.25 inches ( 54 x 54 cm )

GERHARD RICHTER Seascape (No Text), 1991

$175

About the Artist

Gerhard Richter

Gerhard Richter (b. 1932) is a German visual artist. Richter has produced abstract as well as photorealistic paintings, and also photographs and glass pieces. His art follows the examples of Picasso and Jean Arp in undermining the concept of the artist's obligation to maintain a single cohesive style. Nearly all of Richter's work demonstrates both illusionistic space that seems natural and the physical activity and material of painting—as mutual interferences. For Richter, reality is the combination of new attempts to understand—to represent; in his case, to paint—the world surrounding us. “Since there is no such thing as absolute rightness and truth, we always pursue the artificial, leading, human truth. We judge and make a truth that excludes other truths. Art plays a formative part in this manufacture of truth.”
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