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Mapplethorpe, Robert

ROBERT MAPPLETHORPE Thomas, 1994

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Regular price $250
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This evocative image by Robert Mapplethorpe features the model Thomas, captured in a graceful, slightly crouching pose. Set against a neutral backdrop punctuated by a geometric, diamond-white shape, the composition creates a striking visual contrast that accentuates Thomas’s sculptural form and posture.

Thomas is Thomas Williams, also known as Joe Simmons—one of Mapplethorpe’s recurring muses during the 1980s. Williams began as a bodybuilder and aspiring actor, and his commanding presence became widely recognized through Mapplethorpe’s lens. He later appeared in more than 100 adult films under his alternate name, adding to his cultural imprint.

Presented in a black wood frame with a 1-inch front profile and a 3/4-inch side profile, set behind a 4-inch mat, this piece comes from a 1994 box set of Robert Mapplethorpe photographs published by teNeues Publishing Company and printed in Germany. The elegant framing enhances the bold minimalism and sensual power of this iconic portrait.

Details

Sku: YY5889

Artist: Robert Mapplethorpe

Title: Thomas

Year: 1994

Signed: No

Medium: Offset Lithograph

Edition Size: Unknown

Framed: Yes

Condition: A: Mint

Dimensions

Paper Size: 7 x 5 inches ( 18 x 13 cm )

Image Size: 5 x 4.5 inches ( 13 x 11 cm )

Frame Size: H: 15.75 x W: 14.5 x D: 0.75 in.

ROBERT MAPPLETHORPE Thomas, 1994

$250

About the Artist

Robert Mapplethorpe

Robert Mapplethorpe (1946 – 1989) was an American photographer, known for his sensitive yet blunt treatment of controversial subject-matter in the large-scale, highly stylized black and white medium of photography. His work featured an array of subjects, including celebrity portraits, male and female nudes, self-portraits and still-life images of flowers. His most controversial work is that of the underground BDSM scene in the late 1960s and early 1970s of New York City. The homoeroticism of this work fuelled a national debate over the public funding of controversial artwork. His photography of flowers shows his remarkable mastery of the nuances of light, both with the camera itself and also in the darkroom. Patti Smith was a longtime roommate and close friend of Mapplethorpe and a frequent subject in his photography, including a stark, iconic photograph that appears on the cover of Smith's first album, Horses. "Robert took areas of dark human consent and made them into art. He worked without apology, investing the homosexual with grandeur, masculinity, and enviable nobility. Without affectation, he created a presence that was wholly male without sacrificing feminine grace. He was not looking to make a political statement or an announcement of his evolving sexual persuasion. He was presenting something new, something not seen or explored as he saw and explored it. Robert sought to elevate aspects of male experience, to imbue homosexuality with mysticism. As Cocteau said of a Genet poem, 'His obscenity is never obscene.' " — Patti Smith, Just Kids
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