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Mapplethorpe, Robert

ROBERT MAPPLETHORPE Apollo, 1994

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Regular price $250
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This striking image by Robert Mapplethorpe, titled Apollo, is drawn from his 1994 collection published by teNeues Publishing Company and printed in Germany. In this work, Mapplethorpe captures the classical sculpture of Apollo with reverence and precision, emphasizing the mythic strength and serene beauty of the god of music and light. His photographic treatment heightens the tactile contrast between smooth marble and soft shadow, transforming a static object into a powerful, almost breathing presence.

Presented in a white wood frame with a 1-inch front profile and a 3/4-inch side profile, mounted behind a 4-inch mat, this piece offers a museum-quality display. The framing complements the subject’s purity and grace, making it an elegant addition to any collection celebrating classical art and contemporary photography.

Details

Sku: YY5884

Artist: Robert Mapplethorpe

Title: Apollo

Year: 1994

Signed: No

Medium: Offset Lithograph

Edition Size: Unknown

Framed: Yes

Condition: A: Mint

Dimensions

Paper Size: 7 x 5 inches ( 18 x 13 cm )

Image Size: 4.5 x 4.25 inches ( 11 x 11 cm )

Frame Size: H: 15.75 x W: 14.5 x D: 0.75 in.

ROBERT MAPPLETHORPE Apollo, 1994

$250

About the Artist

Robert Mapplethorpe

Robert Mapplethorpe (1946 – 1989) was an American photographer, known for his sensitive yet blunt treatment of controversial subject-matter in the large-scale, highly stylized black and white medium of photography. His work featured an array of subjects, including celebrity portraits, male and female nudes, self-portraits and still-life images of flowers. His most controversial work is that of the underground BDSM scene in the late 1960s and early 1970s of New York City. The homoeroticism of this work fuelled a national debate over the public funding of controversial artwork. His photography of flowers shows his remarkable mastery of the nuances of light, both with the camera itself and also in the darkroom. Patti Smith was a longtime roommate and close friend of Mapplethorpe and a frequent subject in his photography, including a stark, iconic photograph that appears on the cover of Smith's first album, Horses. "Robert took areas of dark human consent and made them into art. He worked without apology, investing the homosexual with grandeur, masculinity, and enviable nobility. Without affectation, he created a presence that was wholly male without sacrificing feminine grace. He was not looking to make a political statement or an announcement of his evolving sexual persuasion. He was presenting something new, something not seen or explored as he saw and explored it. Robert sought to elevate aspects of male experience, to imbue homosexuality with mysticism. As Cocteau said of a Genet poem, 'His obscenity is never obscene.' " — Patti Smith, Just Kids
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